Le signe sur la porte

BARBARA STANWYCK was never too fond of her first talkie and it's easy to see why. Filmed at a time when stage actors were just getting familiar with sound technique in films, it has a multitude of problems with regard to script, direction and performances.

ROD LaROCQUE is insufferably hammy as the bad guy who tries to seduce Stanwyck aboard an illegal rum boat and turns up some eighteen months later paying court to her sister (BETTY BRONSON). Stanwyck and hubby WILLIAM BOYD decide to stop LaRocque from carrying through with his plans to run off with Bronson and the plot thickens, going from one melodramatic mess to another before the story crawls to an end.

Best aspect of the film is the photography of Ray June, especially the overhead shots looking through the glass ceiling of a dance floor on the riverboat and the panning shot of bar customers ordering drinks.

Everyone sounds like they're reading their lines for a run through rehearsal, but Stanwyck at least shows emotion well in some good close-ups. Bronson and LaRocque are the worst with the new mikes.