Pépé le Moko
- 1937
- Tous publics
- 1h 34min
NOTE IMDb
7,7/10
8,3 k
MA NOTE
Un gangster recherché est à la fois roi et prisonnier de la Casbah. Il est protégé de l'arrestation par ses amis, mais est déchiré par son désir de liberté.Un gangster recherché est à la fois roi et prisonnier de la Casbah. Il est protégé de l'arrestation par ses amis, mais est déchiré par son désir de liberté.Un gangster recherché est à la fois roi et prisonnier de la Casbah. Il est protégé de l'arrestation par ses amis, mais est déchiré par son désir de liberté.
- Récompenses
- 2 victoires au total
Fernand Charpin
- Régis
- (as Charpin)
Gilbert Gil
- Pierrot
- (as Gilbert-Gil)
Marcel Dalio
- L'Arbi
- (as Dalio)
Charles Granval
- Maxime
- (as Granval)
René Bergeron
- Meunier
- (as Bergeron)
Paul Escoffier
- Louvain
- (as Escoffier)
Roger Legris
- Max
- (as Legris)
Jean Témerson
- Gravère
- (as Temerson)
Georges Péclet
- Barsac
- (as Péclet)
Histoire
Le saviez-vous
- AnecdotesWhen Walter Wanger produced Casbah (1938), the American remake, he tried to have all copies of this movie destroyed. Fortunately, he was not able to do so.
- GaffesAfter Pierrot's death, Pepe is getting progressively drunker, and his suit coat opens to reveal more of his shirt. His shirt has a monogram of "JG" on the pocket, which is the monogram of the actor (Jean Gabin) and not the character.
- Citations
Chef Inspecteur Louvain: But can we trust you? No double-dealing?
Régis: Sir, I am an informer not a hypocrite.
- ConnexionsEdited into Spisok korabley (2008)
Commentaire à la une
"Pepe Le Moko" (1937) directed by Julien Duvivier - is a wonderful movie with the great performance from very young Jean Gabin. It just happened that I've seen several movies with him in the older age where he is serious, not very talkative man with the head full of grey hair and I like him in the later movies, too but it was so much fun to see him as Pepe - young, charming, dangerous, smart, brutal, irresistible, and so much in love with Paris that he'd lost forever. As much as I enjoyed the film as an early noir and crime, I think it is about the longing for home, about the nostalgia and as such it is even more interesting, deeper, poignant that just a noir. The celebrated film director Max Ophüls, who knew a lot about nostalgia and immigration said about Paris,
"It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night. Everyone in the world has two fatherlands: his own and Paris."
I could not help thinking of his words when I watched the film. There is one scene that almost reduced me to tears - a middle-aged former chanteuse plays one of her records on a gramophone and sings along with her voice that has not changed at all even if she looks nothing like the picture on the wall from the days of her youth. The time may play very nasty jokes with a woman - she may get fat or skinny, lose her teeth and hair but her voice will stay as strong or tender, ringing or melodious as it was in the long gone days that stay forever in her memory. She sings about Paris and there are tears on her eyes and the scene simply can't leave any viewer indifferent. There is another scene - between Pepe and Gaby the girl from Paris with whom Pepe falls in love (Mireille Balin). They talk about Paris remembering different places which are dear to both of them, and in the end, they both named La Place Blanche where they both belong and not in Algiers's Casbah where Pepe is safe and he rules the world of criminals but can't forget the sound of Metro in Paris. When Pepe wants to tell Gaby that he loves her, he tells her that she reminds him of Metro in Paris...
I have not even mentioned how masterfully the film was shot by Julien Duvivier and how well it was acted, how fast it movies, and there are so many wonderful scenes that I have not mentioned...Great, great movie.
"It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night. Everyone in the world has two fatherlands: his own and Paris."
I could not help thinking of his words when I watched the film. There is one scene that almost reduced me to tears - a middle-aged former chanteuse plays one of her records on a gramophone and sings along with her voice that has not changed at all even if she looks nothing like the picture on the wall from the days of her youth. The time may play very nasty jokes with a woman - she may get fat or skinny, lose her teeth and hair but her voice will stay as strong or tender, ringing or melodious as it was in the long gone days that stay forever in her memory. She sings about Paris and there are tears on her eyes and the scene simply can't leave any viewer indifferent. There is another scene - between Pepe and Gaby the girl from Paris with whom Pepe falls in love (Mireille Balin). They talk about Paris remembering different places which are dear to both of them, and in the end, they both named La Place Blanche where they both belong and not in Algiers's Casbah where Pepe is safe and he rules the world of criminals but can't forget the sound of Metro in Paris. When Pepe wants to tell Gaby that he loves her, he tells her that she reminds him of Metro in Paris...
I have not even mentioned how masterfully the film was shot by Julien Duvivier and how well it was acted, how fast it movies, and there are so many wonderful scenes that I have not mentioned...Great, great movie.
- Galina_movie_fan
- 27 mars 2007
- Permalien
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- How long is Pépé le Moko?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Les nuits blanches
- Lieux de tournage
- Alger, Algérie(exteriors, backgrounds)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 155 895 $US
- Montant brut mondial
- 155 895 $US
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Pépé le Moko (1937) officially released in India in English?
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