Anthony Adverse
- 1936
- Tous publics
- 2h 21min
NOTE IMDb
6,3/10
2,1 k
MA NOTE
Ajouter une intrigue dans votre langueIn 18th-century Italy, an orphan's debt to the man who raised him threatens to separate him forever from the woman he loves.In 18th-century Italy, an orphan's debt to the man who raised him threatens to separate him forever from the woman he loves.In 18th-century Italy, an orphan's debt to the man who raised him threatens to separate him forever from the woman he loves.
- Récompensé par 4 Oscars
- 4 victoires et 3 nominations au total
Histoire
Le saviez-vous
- AnecdotesGale Sondergaard made her film debut in "Anthony Adverse" and won an Academy Award in the brand-new category of Best Supporting Actress.
- GaffesDuring the duel between Don Luis and Denis Moore, the sword wielded by Moore was "unbated", i.e. his fencing foil was blunted with a protective guard on the tip.
- Citations
[first title card]
Title Card: Those who are destined to live during times of war and social upheaval are victims of cruel fate ~~ unable to find comfort in the past or peace in the present. They are the spiritual orphans of the world.
- ConnexionsFeatured in The Making of a Great Motion Picture (1936)
- Bandes originalesI'll Wait For You My Love (Angela's Song)
(uncredited)
Composer: Erich Wolfgang Korngold
Lyrics by Howard Koch (uncredited)
Sung by Carol Ellis (uncredited)
Commentaire à la une
I just watched the Warner Archive DVD-R of this movie last night. I want to say that it is a good movie and much underrated by the IMDb score of 6.6. It deserves at least a 7.6; I give it an 8.
It is beautifully filmed, the sets are gorgeous, and the cast of actors is stellar and does a good job with the material. Even the players with smaller roles are well-known actors, and they deliver their short moments with just the right emphasis. If you're an old film fan, you can't watch the movie without seeing a score of faces that you know and love.
The two main complaints I see here are that Fredric March is too old to play a convincing lover for De Havilland, and that the movie is somewhat pedestrian and dragging.
On the first point, yes, in some scenes the age difference in visible, but in others, March is made up to look younger than his biological age, and is convincing as a younger man. But the key thing is that March is *good* in the role. If you overlook the physical signs of his age, and concentrate on his characterization, delivery, etc., you can see he is acting thoughtfully, trying to do justice to his complex character. I think it's an excellent performance.
Pedestrian and dragged-out? Well, the film is long, as these epic-type films tend to be. Yet I did not find that my interest flagged. The film deals with years of the lives of these characters, and it needs to be long to get in all the complex background of European history and the changes in the lives of the characters (not to mention the important back-story of Anthony's birth).
One more thing: some commenters thought that Gale Sondergaard did little to earn her Oscar for this one. I thought she was very good. Normally she plays the sinister villainess in a very broad manner that telegraphs how evil and sinister she is; in fact, she was often hired because she was so good at that kind of thing (see her many Universal horror and mystery films). Here, she shows a bit of that sinister character, but underplays it greatly, to very good effect. She would never have earned an Oscar had she played the role in her heavy Universal style. I think it's the subtlest performance I've seen her give.
The sound on the Archives DVD-R is at first a tiny bit harsh, especially the booming orchestra with the grand Korngold score; this I noticed especially near the beginning of the film, and was worried it would spoil the film for me. However, the sound seemed to become a bit gentler about 10 or 15 minutes into the movie -- or maybe I just got used to it. But the volume of characters's speeches was definitely a bit uneven in the first few minutes. That happens, with movies this old. Perfect prints are rare, and DVDs reflect the imperfections. Overall, however, the DVD was quite watchable and the audio was clear and adequate.
I recommend this as a historical epic. Not one the greatest epics, to be sure, but quite a good one, and admirably executed. Maybe not a must-see, but certainly nothing you will regret seeing. I will watch it more than once, I think.
It is beautifully filmed, the sets are gorgeous, and the cast of actors is stellar and does a good job with the material. Even the players with smaller roles are well-known actors, and they deliver their short moments with just the right emphasis. If you're an old film fan, you can't watch the movie without seeing a score of faces that you know and love.
The two main complaints I see here are that Fredric March is too old to play a convincing lover for De Havilland, and that the movie is somewhat pedestrian and dragging.
On the first point, yes, in some scenes the age difference in visible, but in others, March is made up to look younger than his biological age, and is convincing as a younger man. But the key thing is that March is *good* in the role. If you overlook the physical signs of his age, and concentrate on his characterization, delivery, etc., you can see he is acting thoughtfully, trying to do justice to his complex character. I think it's an excellent performance.
Pedestrian and dragged-out? Well, the film is long, as these epic-type films tend to be. Yet I did not find that my interest flagged. The film deals with years of the lives of these characters, and it needs to be long to get in all the complex background of European history and the changes in the lives of the characters (not to mention the important back-story of Anthony's birth).
One more thing: some commenters thought that Gale Sondergaard did little to earn her Oscar for this one. I thought she was very good. Normally she plays the sinister villainess in a very broad manner that telegraphs how evil and sinister she is; in fact, she was often hired because she was so good at that kind of thing (see her many Universal horror and mystery films). Here, she shows a bit of that sinister character, but underplays it greatly, to very good effect. She would never have earned an Oscar had she played the role in her heavy Universal style. I think it's the subtlest performance I've seen her give.
The sound on the Archives DVD-R is at first a tiny bit harsh, especially the booming orchestra with the grand Korngold score; this I noticed especially near the beginning of the film, and was worried it would spoil the film for me. However, the sound seemed to become a bit gentler about 10 or 15 minutes into the movie -- or maybe I just got used to it. But the volume of characters's speeches was definitely a bit uneven in the first few minutes. That happens, with movies this old. Perfect prints are rare, and DVDs reflect the imperfections. Overall, however, the DVD was quite watchable and the audio was clear and adequate.
I recommend this as a historical epic. Not one the greatest epics, to be sure, but quite a good one, and admirably executed. Maybe not a must-see, but certainly nothing you will regret seeing. I will watch it more than once, I think.
- OldFilmLover
- 26 mars 2016
- Permalien
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- How long is Anthony Adverse?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Anthony Adverse, marchand d'esclaves
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 050 500 $US (estimé)
- Durée2 heures 21 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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