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Ajouter une intrigue dans votre langueA noblewoman discovers her husband is The Scarlet Pimpernel, a vigilante who rescues aristocrats from the blade of the guillotine.A noblewoman discovers her husband is The Scarlet Pimpernel, a vigilante who rescues aristocrats from the blade of the guillotine.A noblewoman discovers her husband is The Scarlet Pimpernel, a vigilante who rescues aristocrats from the blade of the guillotine.
- Récompenses
- 1 victoire au total
Morland Graham
- Treadle (the tailor)
- (as Moreland Graham)
Histoire
Le saviez-vous
- AnecdotesThe Motion Picture Producers and Distributors of America admonished: "There is cleavage in Reel 1. There is cleavage in Reel 4. There is gross cleavage in Reel 8", adding that it was the last film it would pass containing "scenes of offensive cleavage".
- GaffesBlakeney and the Prince of Wales are seen at a boxing match in which the combatants are in a structure similar to a modern 'square' ring. This form of the ring was not used until around 1838.
- Citations
Percy Blakeney: They seek him here, they seek him there, / Those Frenchies seek him everywhere. / Is he in heaven? Or is he in hell? / That damned elusive Pimpernel!
- Versions alternativesThere is an Italian edition of this film on DVD, distributed by DNA srl, "LA PRIMULA SMITH (1941) + LA PRIMULA ROSSA (1934)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in Minute Movie Masterpieces (1989)
- Bandes originalesLa Marseillaise
(1792) (uncredited)
Music and lyrics by Claude Joseph Rouget de Lisle
Played during the opening credits
Reprised by singing citizens
Commentaire à la une
One might want to pre-judge this movie on the basis of its release date (1934), but it would be a mistake to consider this movie as creeky and old. On the contrary, it remains so brilliantly focused and sharply contrasted, that the viewer can get lost within the film-strip of this fine Korda film. The sets are realistic and evocative. Some, such as parlors and ballrooms glitter like the jewels of their occupants, while others, like public taverns and "clubs", can be grimy with pipe smoke, ale, and mutton.
The story is one of hidden identity, of unsung heroism, illusion, and danger......risk and reward, of good men doing what's necessary to save doomed people. It's also a moving love story.
Central in all of this is Sir Percy Blakeney (Leslie Howard in his finest screen role). He is a Fop in the extreme. He poses, he prances, and he eternally fusses with his attire. Are his cuffs properly ruffled, so that when he takes snuff, "it's a swallows flight"? Neckwear is another preoccupation of Sir Percy's.... he even uses this obsession in one of the film's wittiest lines, "A man who can't tie his own cravat isn't likely to put a noose around the Pimpernel's neck, is he?" But, the paradox of course is that Sir Percy, his wife not even knowing, is the bane of the French Revolutionists, the Scarlet Pimpernel. He and his followers make repeated and risky trips across the English Channel to rescue those they can from the fate of the guillotine. This charade of Sir Percy's is the core of much of the film's hilarious moments. But it's easy for this movie to take quick turns from humor to grim seriousness.
The love interest is the International beauty Merle Oberon, who is showcased exquisitly. She has developed a contempt for her foppish husband and his silliness, as she desperately tries to save her brother's life by trying to discover the true identity of the Pimpernel for villain Raymond Massey. She idealizes the Pimpernel who she often contrasts to her nit-wit husband, but as he tells her (and with some moment), "It's dangerous to fall in love with a phantom, m'dear. For all you know he's a married man who is deeply in love with his wife."
There is adventure and romance. A must see movie.
The story is one of hidden identity, of unsung heroism, illusion, and danger......risk and reward, of good men doing what's necessary to save doomed people. It's also a moving love story.
Central in all of this is Sir Percy Blakeney (Leslie Howard in his finest screen role). He is a Fop in the extreme. He poses, he prances, and he eternally fusses with his attire. Are his cuffs properly ruffled, so that when he takes snuff, "it's a swallows flight"? Neckwear is another preoccupation of Sir Percy's.... he even uses this obsession in one of the film's wittiest lines, "A man who can't tie his own cravat isn't likely to put a noose around the Pimpernel's neck, is he?" But, the paradox of course is that Sir Percy, his wife not even knowing, is the bane of the French Revolutionists, the Scarlet Pimpernel. He and his followers make repeated and risky trips across the English Channel to rescue those they can from the fate of the guillotine. This charade of Sir Percy's is the core of much of the film's hilarious moments. But it's easy for this movie to take quick turns from humor to grim seriousness.
The love interest is the International beauty Merle Oberon, who is showcased exquisitly. She has developed a contempt for her foppish husband and his silliness, as she desperately tries to save her brother's life by trying to discover the true identity of the Pimpernel for villain Raymond Massey. She idealizes the Pimpernel who she often contrasts to her nit-wit husband, but as he tells her (and with some moment), "It's dangerous to fall in love with a phantom, m'dear. For all you know he's a married man who is deeply in love with his wife."
There is adventure and romance. A must see movie.
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Détails
Box-office
- Montant brut mondial
- 420 000 £GB
- Durée1 heure 37 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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What is the French language plot outline for Le chevalier de Londres (1934)?
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