Spiderhead

2022
16
1h 46min

NOTE IMDb

5,5/10

68 k

MA NOTE

POPULARITÉ

Lire trailer2:00

Cyber Thriller Psychological Thriller Action Crime Drama Sci-Fi Thriller

Dans un futur proche, les prisonniers se portent volontaires comme cobayes médicaux pour écourter leur peine. Un des cobayes pour un médicament créant des sentiments d'amour commence à remet... Tout lireDans un futur proche, les prisonniers se portent volontaires comme cobayes médicaux pour écourter leur peine. Un des cobayes pour un médicament créant des sentiments d'amour commence à remettre en question la réalité de ses émotions.Dans un futur proche, les prisonniers se portent volontaires comme cobayes médicaux pour écourter leur peine. Un des cobayes pour un médicament créant des sentiments d'amour commence à remettre en question la réalité de ses émotions.

Voir les informations de production sur IMDbPro

NOTE IMDb

5,5/10

68 k

MA NOTE

POPULARITÉ

4 783

639

Voir les informations de production sur IMDbPro

Vidéos4

Clip 3:23

Exclusive Clip

Promo 2:58

Netflix 2022 Movie Preview

Promo 2:33

Netflix 2021 Film Preview

Photos65

+ 61

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Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
Rogan (played by Nathan Jones) is reading a book titled "Tenth of December" by George Saunders and first published in book-form on January the 8th, 2013, by Random House. It contains the short story "Escape from Spiderhead" on which this movie is based.

Gaffes
At the start when the seaplane arrives at the jetty 2 staff come out to secure the seaplane to jetty. But it is already fastened despite having just arrived.

Citations
Abnesti: The time to worry about crossing lines was... a lot of lines ago.

Connexions
Features Joust (1982)

Bandes originales
The Logical Song
Written by Roger Hodgson and Rick Davies (as Richard Davies)
Performed by Supertramp
Courtesy of A&M Records
Under license from Universal Music Enterprises

Avis des utilisateurs531

Commenter

Commentaire à la une

5/10

Doesn't make the most of its riveting premise! [+52%]

Spiderhead banks heavily on its lead performers, and both Hemsworth and Teller deliver the goods when the plot struggles to. Very early on, you smell a lighter version of Ex-Machina (replace the robot with mind-control drugs), with several random tonal shifts. The writers (Rhett Rheese & Paul Wernick) are known for tickling the funny bone, but I think this film would have benefited from a more serious, psychological approach - which, credit where it's due - it did to some extent. The romantic subplot, while nice to see, ended up being exploited (such a cliché) as expected. The conclusion isn't all that exciting, because by then, Spiderhead has fully embraced its weirdness and is unfortunately stuck between making viewers care and giving closure to the plot.