Trois mille ans à t'attendre
Titre original : Three Thousand Years of Longing
- 2022
- Tous publics
- 1h 48min
Un érudit solitaire, en voyage à Istanbul, découvre un Djinn qui lui offre trois souhaits en échange de sa liberté.Un érudit solitaire, en voyage à Istanbul, découvre un Djinn qui lui offre trois souhaits en échange de sa liberté.Un érudit solitaire, en voyage à Istanbul, découvre un Djinn qui lui offre trois souhaits en échange de sa liberté.
- Récompenses
- 4 victoires et 19 nominations au total
Histoire
Le saviez-vous
- AnecdotesCinematographer John Seale came out of retirement for the second time to shoot this movie. He'd previously done so in 2012 to shoot George Miller's previous film Mad Max: Fury Road (2015).
- GaffesThe Djinn says that his third story begins in 1620, after 100 years of wandering invisibly following the death of Gulten and Mustafa. But Mustafa died in 1553, only 67 years before 1620.
- Citations
Alithea Binnie: Love is a gift. It's a gift of oneself given freely. It's not something one can ever ask for.
- Crédits fousIdris Alba and Tilda Swinton were double-billed in the opening credits.
- Bandes originalesCautionary Tale
Music written by Tom Holkenborg (as Tom Holkenborg)
Lyrics by Augusta Gore, George Miller
Performed by Matteo Bocelli, Tom Holkenborg (as Tom Holkenborg)
Produced by Tom Holkenborg (as Tom Holkenborg)
Matteo Bocelli appears courtesy of Capitol Records
Commentaire à la une
If you, like I was, are expecting a fast-paced, light-spirited, fun romp of visual extravaganza and witty dialogue along the journey that is Three Thousand Years of Longing ... you WILL be disappointed. Now, that is not meant to dissuade you from watching or enjoying it. On the contrary. It is simply meant to temper your expectations.
There is certainly much beauty in many of this film's scenes; from curious beauty in the mundane, to fabulous beauty in the fantastical. (There is also a musical scene that will spirit you away to decadent places). Sadly however, for some unknown reason, this film chooses to stay more in the realm of the mundane than the wondrous. The wasted shame in this is almost palpable.
The film also feels somewhat choppy or disconnected at times. This is especially true quite early, when it begins to touch upon and wander into the mythical almost immediately, but with no real explanation as to why or how those particular scenes tie in with the rest of the film.
Lastly, and most grievously, while all the right words existed for this story to be told ... it seemed to lack a bit of passion or fervor from the storytellers.
All this is NOT to imply that Three Thousand Years of Longing is without its merits.
For one, Swinton and Elba together (although IMO neither delivering their best performances), is still a treat. They are beautiful separately, and together, they are art. Neither however, could elevate the tone of the film because, intentionally or not, the MAIN TONE of several parts of the film, is more cacophony than cadence. It is my friends, also, far darker and sadder in parts, than what may be expected.
Think of it as a bedtime story for adults where the story is entertaining enough, and the pictures are beautiful, but the Happily Ever After may be a tad bland, bittersweet and hard to swallow.
There is certainly much beauty in many of this film's scenes; from curious beauty in the mundane, to fabulous beauty in the fantastical. (There is also a musical scene that will spirit you away to decadent places). Sadly however, for some unknown reason, this film chooses to stay more in the realm of the mundane than the wondrous. The wasted shame in this is almost palpable.
The film also feels somewhat choppy or disconnected at times. This is especially true quite early, when it begins to touch upon and wander into the mythical almost immediately, but with no real explanation as to why or how those particular scenes tie in with the rest of the film.
Lastly, and most grievously, while all the right words existed for this story to be told ... it seemed to lack a bit of passion or fervor from the storytellers.
All this is NOT to imply that Three Thousand Years of Longing is without its merits.
For one, Swinton and Elba together (although IMO neither delivering their best performances), is still a treat. They are beautiful separately, and together, they are art. Neither however, could elevate the tone of the film because, intentionally or not, the MAIN TONE of several parts of the film, is more cacophony than cadence. It is my friends, also, far darker and sadder in parts, than what may be expected.
Think of it as a bedtime story for adults where the story is entertaining enough, and the pictures are beautiful, but the Happily Ever After may be a tad bland, bittersweet and hard to swallow.
- Her-Excellency
- 28 août 2022
- Permalien
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- How long is Three Thousand Years of Longing?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Three Thousand Years of Longing
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 8 286 741 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 919 717 $US
- 28 août 2022
- Montant brut mondial
- 20 282 422 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What was the official certification given to Trois mille ans à t'attendre (2022) in Italy?
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