Loki reprend son rôle de dieu de la malice dans une nouvelle série qui se déroule après les événements de "Avengers: Endgame".Loki reprend son rôle de dieu de la malice dans une nouvelle série qui se déroule après les événements de "Avengers: Endgame".Loki reprend son rôle de dieu de la malice dans une nouvelle série qui se déroule après les événements de "Avengers: Endgame".
- Nommé pour 9 Primetime Emmys
- 14 victoires et 99 nominations au total
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Histoire
Le saviez-vous
- AnecdotesRather than read Marvel comics to prepare for the role of Agent Mobius, Owen Wilson instead had Tom Hiddleston explain the entire Marvel Cinematic Universe to him.
- Crédits fousThe Marvel Studios logo turns green and gold, Loki's colors.
- ConnexionsEdited from Avengers: Endgame (2019)
Commentaire à la une
Hello everyone, I'm Mr. C Reviewer, tonight we are discussing the TV Show, Loki. I watched it on Disney plus. The show first aired June 9, 2021. Each episode has a runtime of about 50 minutes. It was rated 12. The show was directed by Kate Herron and created by Michael Waldron, Bisha K. Ali, Elissa Karasik and Eric Martin for episode one. Some of the characters was created by Stan Lee, Larry Lieber and Jack Kirby.
Summary: The cunning god of mischief, embarks on a thrilling adventure following his escape.
Review: -I appreciated the show's opening, which takes place immediately following the events of Avengers: Endgame (2019). Where a version of Loki, escapes from captivity using the Tesseract during a time heist gone wrong. While watching the show there was times that I found the pacing to be inconsistent; some episodes felt prolonged while others hurried through significant plot developments. This uneven rhythm contributed to a disjointed viewing experience. Despite this, I appreciated the show's unique narrative structure, which incorporates elements of time travel and alternate realities. The introduction of the Time Variance Authority (TVA) adds an intriguing bureaucratic dimension to the superhero genre, opening up fresh storytelling avenues that maintained my interest. This innovative approach to world-building was particularly enjoyable for fans who appreciate intricate plots that weave together various timelines. A key aspect I found of the show was Loki's struggle with his sense of self, particularly regarding his past actions and future possibilities. This journey resonates with viewers who value stories cantered on personal growth and self-acceptance, highlighting the complexities of identity in a changing world. I appreciated how Loki's distinctive humour was seamlessly woven into the show, offering a sense of levity amidst its serious themes. This balance enhanced my experience, as I sought both entertainment and deeper messages. I found the gore in the show to be visually impressive; some scenes appeared quite realistic. As an autistic individual, I was especially grateful for the inclusion of subtitles, which made it easier to follow the dialogue. I was happy that it told us what was being said when it was in another language.
I admired how the film's cinematography skilfully employed a variety of shot types to enhance its storytelling. Close-up shots effectively captured the emotional nuances of characters during intense dialogue, allowing viewers to connect deeply with their expressions and reactions, thereby enhancing dramatic tension. Medium shots established character interactions while providing context about their surroundings. Wide shots showcased the expansive settings of the Time Variance Authority (TVA) headquarters and other locations, emphasizing the unique brutalist architectural designs. The series effectively employed overhead shots to evoke a sense of surveillance and control by the TVA over Loki. Dynamic tracking shots followed characters through diverse environments, enhancing the narrative's urgency. In contrast, static shots were utilized during dialogue-heavy scenes, fostering a contemplative atmosphere that emphasized character interactions. Lighting played a pivotal role, with single light sources casting dramatic shadows that deepened character portrayal and mood. Characters were often framed centrally against architecturally intriguing backgrounds, reminiscent of classic noir cinema.
I found the visual effects in Loki to be remarkable, as they played a crucial role in establishing the show's distinctive aesthetic and narrative. The series masterfully combined practical effects with CGI to craft its unique settings, especially within the Time Variance Authority (TVA). The CGI was particularly effective in conveying intricate ideas such as time travel and alternate realities, which added significant depth to the storyline. The vibrant colours and creative designs contributed to an immersive visual experience that captivated viewers. I appreciated how the show provided on-screen text to indicate our current setting and year. I found the film's soundtrack and sound effects to be particularly effective, as they complemented the scenes.
-I enjoyed encountering the characters, reconnecting with Loki, and meeting new faces. It was fascinating to delve deeper into their backgrounds and personalities throughout the series. However, I would have appreciated a bit more depth and backstory for certain characters. I liked the introduction of figures like Sylvie and Mobius, they embody strong, multifaceted female roles that significantly enhance the narrative. The series effectively explores Loki's motivations, insecurities, and personal growth over the episodes, which added a layer of humanity to a character previously viewed mainly as a villain in the Marvel Cinematic Universe (MCU). The portrayal of antagonists in this show enriches the storyline; I feel that they were depicted with complex motivations that challenge conventional villain stereotypes rather than being portrayed as purely evil.
-I found the conclusion of season one quite satisfying and well-executed. However, I did notice that a couple of episode endings felt somewhat predictable. I appreciated that by the end of episode six, we finally uncovered the identity of the person behind the TVA. Additionally, I enjoyed the extra scene included at the end of episode four. The crime and mystery atmosphere reflected in the ending credits of each episode was particularly captivating and added to my overall enjoyment.
I rate each Show I watch out of 10 and for this one, I give it a 7.5 Remember this was what I thought about the Program personally and I suggest that you give it a go for yourself.
Summary: The cunning god of mischief, embarks on a thrilling adventure following his escape.
Review: -I appreciated the show's opening, which takes place immediately following the events of Avengers: Endgame (2019). Where a version of Loki, escapes from captivity using the Tesseract during a time heist gone wrong. While watching the show there was times that I found the pacing to be inconsistent; some episodes felt prolonged while others hurried through significant plot developments. This uneven rhythm contributed to a disjointed viewing experience. Despite this, I appreciated the show's unique narrative structure, which incorporates elements of time travel and alternate realities. The introduction of the Time Variance Authority (TVA) adds an intriguing bureaucratic dimension to the superhero genre, opening up fresh storytelling avenues that maintained my interest. This innovative approach to world-building was particularly enjoyable for fans who appreciate intricate plots that weave together various timelines. A key aspect I found of the show was Loki's struggle with his sense of self, particularly regarding his past actions and future possibilities. This journey resonates with viewers who value stories cantered on personal growth and self-acceptance, highlighting the complexities of identity in a changing world. I appreciated how Loki's distinctive humour was seamlessly woven into the show, offering a sense of levity amidst its serious themes. This balance enhanced my experience, as I sought both entertainment and deeper messages. I found the gore in the show to be visually impressive; some scenes appeared quite realistic. As an autistic individual, I was especially grateful for the inclusion of subtitles, which made it easier to follow the dialogue. I was happy that it told us what was being said when it was in another language.
I admired how the film's cinematography skilfully employed a variety of shot types to enhance its storytelling. Close-up shots effectively captured the emotional nuances of characters during intense dialogue, allowing viewers to connect deeply with their expressions and reactions, thereby enhancing dramatic tension. Medium shots established character interactions while providing context about their surroundings. Wide shots showcased the expansive settings of the Time Variance Authority (TVA) headquarters and other locations, emphasizing the unique brutalist architectural designs. The series effectively employed overhead shots to evoke a sense of surveillance and control by the TVA over Loki. Dynamic tracking shots followed characters through diverse environments, enhancing the narrative's urgency. In contrast, static shots were utilized during dialogue-heavy scenes, fostering a contemplative atmosphere that emphasized character interactions. Lighting played a pivotal role, with single light sources casting dramatic shadows that deepened character portrayal and mood. Characters were often framed centrally against architecturally intriguing backgrounds, reminiscent of classic noir cinema.
I found the visual effects in Loki to be remarkable, as they played a crucial role in establishing the show's distinctive aesthetic and narrative. The series masterfully combined practical effects with CGI to craft its unique settings, especially within the Time Variance Authority (TVA). The CGI was particularly effective in conveying intricate ideas such as time travel and alternate realities, which added significant depth to the storyline. The vibrant colours and creative designs contributed to an immersive visual experience that captivated viewers. I appreciated how the show provided on-screen text to indicate our current setting and year. I found the film's soundtrack and sound effects to be particularly effective, as they complemented the scenes.
-I enjoyed encountering the characters, reconnecting with Loki, and meeting new faces. It was fascinating to delve deeper into their backgrounds and personalities throughout the series. However, I would have appreciated a bit more depth and backstory for certain characters. I liked the introduction of figures like Sylvie and Mobius, they embody strong, multifaceted female roles that significantly enhance the narrative. The series effectively explores Loki's motivations, insecurities, and personal growth over the episodes, which added a layer of humanity to a character previously viewed mainly as a villain in the Marvel Cinematic Universe (MCU). The portrayal of antagonists in this show enriches the storyline; I feel that they were depicted with complex motivations that challenge conventional villain stereotypes rather than being portrayed as purely evil.
-I found the conclusion of season one quite satisfying and well-executed. However, I did notice that a couple of episode endings felt somewhat predictable. I appreciated that by the end of episode six, we finally uncovered the identity of the person behind the TVA. Additionally, I enjoyed the extra scene included at the end of episode four. The crime and mystery atmosphere reflected in the ending credits of each episode was particularly captivating and added to my overall enjoyment.
I rate each Show I watch out of 10 and for this one, I give it a 7.5 Remember this was what I thought about the Program personally and I suggest that you give it a go for yourself.
- ChristopherLewisWheeler
- 19 déc. 2024
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- How many seasons does Loki have?Alimenté par Alexa
Détails
- Durée50 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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