Yao

Not many people know Sub-Saharan Western Africa, its way of living and thinking. They live in poverty, families with few resources to be able to eat the bare minimum daily, even so, they have what is called resilience. Adapted to the evils left by centuries of colonial domination, to which the corruption and inefficiency of many of their authorities are added. The families somehow achieve a balance of life, which leaves them time to enjoy some little things.

Watching this film was like remembering previously seen realities by me. The film is presented as a fable with its well-added ingredients from the customs of the ethnic groups that make up Senegal. All is about a trip of famous actor of Senegalese origin to the land of his ancestors, and a child from a village in northern part of the country, who due to his sympathies to the actor decides to travel with no means to the capital with the sole objective of meeting the artist. From the meeting, unexpected or unknown events begin to occur for the actor, a man who was actually unaware of the culture of his ancestors.

The film reflects the hospitality of its people, the free way of living, not very given to worrying much about time, also the evil that is generated in some to deceptively obtain what they do not have, the behavior of the police, local beliefs, their rhythms. A film made with many truthful bits of the everyday.

Yao is a cultural entertainment, which takes the viewer into a country, where several ethnic groups live and about seven local languages are spoken, in addition to French, the official language.