S11.E6

The Chamber/The Ghost and the Darkness/The Long Kiss Goodnight/Looking for Richard/Freeway

Épisode diffusé le 12 oct. 1996
TV-PG

MA NOTE

Ajouter une intrigue dans votre langueSiskel and Ebert review five new movies. Also, in "The Revolving Thumb", Siskel gives a thumbs up to strong roles for women in movies, and Ebert gives a thumbs down to outrunning fireballs i... Tout lireSiskel and Ebert review five new movies. Also, in "The Revolving Thumb", Siskel gives a thumbs up to strong roles for women in movies, and Ebert gives a thumbs down to outrunning fireballs in action movies.Siskel and Ebert review five new movies. Also, in "The Revolving Thumb", Siskel gives a thumbs up to strong roles for women in movies, and Ebert gives a thumbs down to outrunning fireballs in action movies.

Réalisation
- Don DuPree
Casting principal
- Roger Ebert
- Gene Siskel

Voir les informations de production sur IMDbPro

MA NOTE

Réalisation
- Don DuPree
Casting principal
- Roger Ebert
- Gene Siskel

Voir les informations de production sur IMDbPro

Photos

Anecdotes
"The Viewer's Thumb" is announced as an upcoming segment, and subsequent episodes would feature entries from viewers.

Citations
Roger Ebert: [reviewing "The Long Kiss Goodnight"] The odd thing is, I preferred "Cutthroat Island"...
Gene Siskel: Ohhh! Roger! That was AWFUL.
Roger Ebert: ... That was not- it was the same movie, it was just a pirate picture...
Gene Siskel: Oh, no no no.
Roger Ebert: ... Instead of set today.
Gene Siskel: Oh, no no no.
Roger Ebert: But the stunts in that one were TRULY amazing.
Gene Siskel: No, this, this is a picture, and this picture has a very smart screenplay by Shane Black, there's some quirky dialogue in here, Samuel L. Jackson's character- they have an interesting, uh, chemistry between them, because it's not, uh, romantic, it's action-filled and smart and funny.
Roger Ebert: I really don't think this is a screenplay I'm going to be singling out as one of the great screenplays of the year.
Gene Siskel: I didn't either.
Roger Ebert: First of all, it couldn't have been written if "Pulp Fiction" hadn't existed.
Gene Siskel: I agree with you, but I'm telling you... well, Shane Black has had some other good screen credits.
Roger Ebert: [skeptical] Uh, sure, yeah. Do you remember, "The Last Boy Scout", wasn't that his?
Gene Siskel: That was his, and that had some very funny dialogue and quirky dialogue in it too. Very good.