Phantom Thread

NOTE IMDb

7,4/10

149 k

MA NOTE

POPULARITÉ

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Period Drama Drama Romance

Dans les années 50 à Londres, Reynolds Woodcock est un couturier renommé dont la vie fastidieuse est perturbée par une jeune femme résolue, Alma, qui devient sa muse et sa maîtresse.Dans les années 50 à Londres, Reynolds Woodcock est un couturier renommé dont la vie fastidieuse est perturbée par une jeune femme résolue, Alma, qui devient sa muse et sa maîtresse.Dans les années 50 à Londres, Reynolds Woodcock est un couturier renommé dont la vie fastidieuse est perturbée par une jeune femme résolue, Alma, qui devient sa muse et sa maîtresse.

Voir les informations de production sur IMDbPro

NOTE IMDb

7,4/10

149 k

MA NOTE

POPULARITÉ

2 300

352

Voir les informations de production sur IMDbPro

Récompensé par 1 Oscar
- 54 victoires et 121 nominations au total

Anecdotes
Paul Thomas Anderson got the initial idea for the film while he was sick in bed one day. His wife, Maya Rudolph, was tending to him and gave him a look that made him realize that she had not looked at him with such tenderness and love in a long time.

Gaffes
A character says, "I don't mean to be racist..." That word didn't exist, at least in British English, in the 1950s. Someone might have used "racialist".

Citations
Reynolds Woodcock: Kiss me, my girl, before I'm sick.

Crédits fous
The typeface used for the credits is called Reynolds Stone and it was created by English wood engraver, typographer, and designer Reynolds Stone, who was a close friend of the parents of Daniel Day-Lewis.

Connexions
Edited into Funny or Die Presents...: Mugatu's Thread (2018)

Bandes originales
My Foolish Heart
Written by Ned Washington and Victor Young
Performed by Oscar Peterson
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises

Avis des utilisateurs649

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7/10

The Cure

First of all - what a cowboy name for a designer! I like the title letters, they are like the endless knot. And so is this movie. It leads nowhere, but strangely finds a cure for sociopaths. Give them a little bit of their own poison and you will live happily ever after. Maybe. This notion is the best that this film gives you, even better than the production design. I really liked the wallpapers so I won't complain about the production value, style over substance, and so on. It's brave to try to cover the truth with lots of lace and chiffon to make it watchable because the result may be pretentious and boring. And then if the truth isn't necessarily cathartic, the mushrooms are. But, to like the film I need to like the characters and they are not likable. I can't imagine what he sees in her or what she sees in him. The motif of poisonous love games and the uncertainty of love has been better used by François Truffaut in his Mississippi Mermaid (1969).