Colette
- 2018
- Tous publics
- 1h 51min
NOTE IMDb
6,7/10
27 k
MA NOTE
Colette est poussée par son mari à écrire des romans sous son nom. Lors de leur succès, elle lutte pour faire connaître ses talents, défiant les normes de genre.Colette est poussée par son mari à écrire des romans sous son nom. Lors de leur succès, elle lutte pour faire connaître ses talents, défiant les normes de genre.Colette est poussée par son mari à écrire des romans sous son nom. Lors de leur succès, elle lutte pour faire connaître ses talents, défiant les normes de genre.
- Récompenses
- 1 victoire et 12 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe location shoot in Budapest was so warm at times, Dominic West wore a water vest inside his heavy costume that functioned like a car radiator, circulating cool water around his upper body. The contraption was recommended to him by John C. Reilly who used such an apparatus while playing the rotund Oliver Hardy in the biopic Stan et Ollie (2018).
- GaffesIn the dance studio scene, which takes place in 1904, a pianist is seen playing Golliwog's Cake-walk by Claude Debussy (repeated by orchestra in the soundtrack). The piece was not composed until 1909.
- Crédits fousThere is a dedication to Richard Glatzer, who co-wrote the film's screenplay with Wash Westmoreland, shortly before the closing credits: "For Richard".
Commentaire à la une
The tale of Gabrielle Colette is a fascinating one, as it turns out. I was completely unaware of her story before seeing the film, and emerged from the cinema feeling as though I had learnt a lot about this literary legend.
Keira Knightley is remarkable in the title role. This is career-best form from her. She carries the film wonderfully. Denise Gough is also great in the role of 'Missy'. The direction from Wash Westmoreland was also superb. He was able to successfully take the script, and deliver it in the best way possible.
However, the film lets itself down from a weaker story/script where it constantly struggles to find and execute more positive moments from Colette's story. Instead, it focuses on the more gloomy moments from her life, leaving the happier moments sidelined. Some of the supporting characters lack depth, including: Eleanor Tomlinson's 'Georgie' and Aiysha Hart's 'Polaire'. These characters play an integral part in Colette's story, but, their lack of screen time, and the way in which they're written in to the story makes the characters have no real impact in driving the film forward.
This movie does have a few flaws which, overall, lets it down. But, it was still an enjoyable movie.
Keira Knightley is remarkable in the title role. This is career-best form from her. She carries the film wonderfully. Denise Gough is also great in the role of 'Missy'. The direction from Wash Westmoreland was also superb. He was able to successfully take the script, and deliver it in the best way possible.
However, the film lets itself down from a weaker story/script where it constantly struggles to find and execute more positive moments from Colette's story. Instead, it focuses on the more gloomy moments from her life, leaving the happier moments sidelined. Some of the supporting characters lack depth, including: Eleanor Tomlinson's 'Georgie' and Aiysha Hart's 'Polaire'. These characters play an integral part in Colette's story, but, their lack of screen time, and the way in which they're written in to the story makes the characters have no real impact in driving the film forward.
This movie does have a few flaws which, overall, lets it down. But, it was still an enjoyable movie.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 5 137 622 $US
- Week-end de sortie aux États-Unis et au Canada
- 161 179 $US
- 23 sept. 2018
- Montant brut mondial
- 14 273 033 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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