L'histoire de la photographe Elizabeth 'Lee' Miller, mannequin de mode devenue correspondante de guerre acclamée pour le magazine Vogue pendant la Seconde Guerre mondiale.L'histoire de la photographe Elizabeth 'Lee' Miller, mannequin de mode devenue correspondante de guerre acclamée pour le magazine Vogue pendant la Seconde Guerre mondiale.L'histoire de la photographe Elizabeth 'Lee' Miller, mannequin de mode devenue correspondante de guerre acclamée pour le magazine Vogue pendant la Seconde Guerre mondiale.
- Nomination aux 1 BAFTA Award
- 2 victoires et 17 nominations au total
Histoire
Le saviez-vous
- AnecdotesBased on "The Lives of Lee Miller," the only authorized biography of Lee Miller's life, written by her own son, Anthony Penrose, and published in 1985.
- GaffesArinze Kene who plays Major Jonesy is an African American in charge of white troops in 1944. African American soldiers did not see combat until later that year and African American officers would not have been in charge of white troops until after the desegregation of the armed forces in 1948.
- Citations
Lee Miller: [Handing a knife to a girl she has just saved from rape] Next time, cut it off.
- Crédits fousThe closing credits have some "what happened to" explanations ; and some of Lee's original photos, often alongside the ones which were recreated for the film.
- ConnexionsFeatured in The 7PM Project: Épisode datant du 21 octobre 2024 (2024)
Commentaire à la une
Have just got home from watching "LEE" at my local Picture House.
Blimey, that was DARK. Well, it isn't all dark, but by the time you get to the last half hour... oooft. Let's just say that "feelgood" isn't a term anyone's ever going to apply to this one.
It's not like I went in unprepared: I'd seen Kate Winslet doing the promotional chat show appearances, and as I am already a great admirer of Lee Miller's photojournalism, I knew the kind of subject matter we'd inevitably be exploring, but still... don't say you haven't been warned. This film presents you with you the hideous fact of Nazi genocide, very convincingly as the revelation it must have been in the moment, without (thankfully) a scrap of sentimentality.
Winslet is magnificent in the title role - as is everyone else, to be honest: there are no shoddy performances to be found - and, speaking as a Rolleiflex TLR user myself, it was clear that she had done her homework viz how to wield that lovely machine convincingly. There were moments when the nit-picky photography pedant in me did query whether some of the interior photos were being taken in such low light that it was unlikely to have left any usable impression on the relatively slow film stock available in the 1940s, but let's not quibble!
It's quite a long movie and events are presented in a simple, linear fashion (via a series of chronological flashbacks) with rather uniform pacing throughout - personally, I would have preferred a bit more variation in pace; your taste may differ.
My only really negative criticism has to do with one, frankly bizarre, piece of casting. The role of Englishman Roland Penrose is given to Swedish star Alexander Skarsgård - whose plucky attempt at an English accent is ...I think "variable" is the kindest word for it. It was hard to tell what part of England he was supposed to be from, or indeed what social class, and there were several moments when he didn't sound any kind of English at all. I had to suspend my disbelief on some pretty strong elastic whenever he opened his mouth. Ah well... go figure!
Blimey, that was DARK. Well, it isn't all dark, but by the time you get to the last half hour... oooft. Let's just say that "feelgood" isn't a term anyone's ever going to apply to this one.
It's not like I went in unprepared: I'd seen Kate Winslet doing the promotional chat show appearances, and as I am already a great admirer of Lee Miller's photojournalism, I knew the kind of subject matter we'd inevitably be exploring, but still... don't say you haven't been warned. This film presents you with you the hideous fact of Nazi genocide, very convincingly as the revelation it must have been in the moment, without (thankfully) a scrap of sentimentality.
Winslet is magnificent in the title role - as is everyone else, to be honest: there are no shoddy performances to be found - and, speaking as a Rolleiflex TLR user myself, it was clear that she had done her homework viz how to wield that lovely machine convincingly. There were moments when the nit-picky photography pedant in me did query whether some of the interior photos were being taken in such low light that it was unlikely to have left any usable impression on the relatively slow film stock available in the 1940s, but let's not quibble!
It's quite a long movie and events are presented in a simple, linear fashion (via a series of chronological flashbacks) with rather uniform pacing throughout - personally, I would have preferred a bit more variation in pace; your taste may differ.
My only really negative criticism has to do with one, frankly bizarre, piece of casting. The role of Englishman Roland Penrose is given to Swedish star Alexander Skarsgård - whose plucky attempt at an English accent is ...I think "variable" is the kindest word for it. It was hard to tell what part of England he was supposed to be from, or indeed what social class, and there were several moments when he didn't sound any kind of English at all. I had to suspend my disbelief on some pretty strong elastic whenever he opened his mouth. Ah well... go figure!
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- How long is Lee?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Lee
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 005 488 $US
- Week-end de sortie aux États-Unis et au Canada
- 713 255 $US
- 29 sept. 2024
- Montant brut mondial
- 23 559 734 $US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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