Au royaume de Lumandra sur une Terre réinventée habitée par une civilisation ancienne, une guerrière nommée Raya est déterminée à trouver le dernier dragon.Au royaume de Lumandra sur une Terre réinventée habitée par une civilisation ancienne, une guerrière nommée Raya est déterminée à trouver le dernier dragon.Au royaume de Lumandra sur une Terre réinventée habitée par une civilisation ancienne, une guerrière nommée Raya est déterminée à trouver le dernier dragon.
- Nommé pour 1 Oscar
- 13 victoires et 62 nominations au total
Kelly Marie Tran
- Raya
- (voix)
Gemma Chan
- Namaari
- (voix)
Izaac Wang
- Boun
- (voix)
Daniel Dae Kim
- Benja
- (voix)
Benedict Wong
- Tong
- (voix)
Jona Xiao
- Young Namaari
- (voix)
Thalia Tran
- Little Noi
- (voix)
Lucille Soong
- Dang Hu
- (voix)
Alan Tudyk
- Tuk Tuk
- (voix)
Gordon Ip
- Merchant #2
- (voix)
Patti Harrison
- Tail Chief
- (voix)
Jonnie Park
- Chai
- (voix)
- (as a different name)
Sierra Katow
- Merchant
- (voix)
- …
Ross Butler
- Spine Chief
- (voix)
Histoire
Le saviez-vous
- AnecdotesSome Vietnamese words are used in this movie such as "Ba" which Raya calls her father. And "Oh, Toi" means "Oh, we're screwed"
- GaffesIn South East Asian cultures in particular and Asian cultures in general, it's considered very rude to address people who are older or in higher status than you with only their names, such as when Raya calls Tong or Boun calls Raya or Raya calls Sisu (a deity-like figure) with their names only. In Asian cultures usually you would address people using familial relationship: you would call a person who is around your age or slightly older than you with "brother/sister", person who is in the range of your parent's age with "uncle/auntie", person who is older than that with "grandpa/granny", and revered/high status/deity figure with something like "master/lord/lady". So Raya would call Tong "Uncle Tong", Boun would call Raya "Sister Raya", and Raya would address deity-ish Sisu as "Master Sisu" or "Lady Sisu".
Though this would, of course, assume that Kumandra is in what is known today as South East Asia. Even if it were, there's nothing to suggest that they would follow the customs of that area as it is today.
- Crédits fousA message appears towards the end of the credits: "The making of this movie from over 400 individual homes was completely unprecedented, and relied entirely on the talent, ingenuity, and dedication of everyone at Walt Disney Animation Studios. The filmmakers would like to thank them for their tireless hard work, good humor, and most of all patience... with our inability to properly use the internet. (Dude, you're still on mute.)"
- Versions alternativesIn the Indonesian version, the original end title theme replaced by "Kita Bisa" by Via Vallen.
- ConnexionsEdited into Zenimation: Rain (2021)
- Bandes originalesLead the Way
Written and Performed by Jhené Aiko
Produced by Julian-Quan Viet Le (as Julian-Quán Viêt Lê (Lejkeys))
Recorded and Mixed by Gregg Rominiecki
Jhené Aiko appears courtesy of 2Fish/ArtClub/Def Jam
Commentaire à la une
The movie's basically another allegory on greed and how it can tear humanity apart.
Now the plot's lack of originality would've been fine if they had a strong cast and some solid writing to build upon. But sadly, they were more concerned over the number of characters they could shove into the film than they were with actually developing said characters into actual people.
They keep cracking jokes and pop culture references instead of holding conversations that would could've added depth or provide a much more organic build-up to trusting and accompanying Raya -- a lone wanderer. They do have their somber moments, but it's brief and doesn't really do much in terms of establishing their bond over lost loved ones. It feels formulaic.
Back to the theme, I get it. People are inherently greedy. Greed is bad and destroys communities. It's overdone and the movie constantly bashes the audience's heads over it. Especially Sisu, who's the worst offender of the bad off-timed
I gotta admit that Raya does have great visuals and fluid animation. However, the dragons just pull you right out of the immersion. They stood out like sore thumbs with their wacky colors and fur, similar to those silly caterpillars with googly eyes. I bet they designed these "sacred dragons" with the intention to sell as many toys as they can.
Now the plot's lack of originality would've been fine if they had a strong cast and some solid writing to build upon. But sadly, they were more concerned over the number of characters they could shove into the film than they were with actually developing said characters into actual people.
They keep cracking jokes and pop culture references instead of holding conversations that would could've added depth or provide a much more organic build-up to trusting and accompanying Raya -- a lone wanderer. They do have their somber moments, but it's brief and doesn't really do much in terms of establishing their bond over lost loved ones. It feels formulaic.
Back to the theme, I get it. People are inherently greedy. Greed is bad and destroys communities. It's overdone and the movie constantly bashes the audience's heads over it. Especially Sisu, who's the worst offender of the bad off-timed
I gotta admit that Raya does have great visuals and fluid animation. However, the dragons just pull you right out of the immersion. They stood out like sore thumbs with their wacky colors and fur, similar to those silly caterpillars with googly eyes. I bet they designed these "sacred dragons" with the intention to sell as many toys as they can.
- johannesburgensenjr
- 28 mars 2021
- Permalien
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- How long is Raya and the Last Dragon?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 54 723 032 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 502 498 $US
- 7 mars 2021
- Montant brut mondial
- 130 423 032 $US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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