À Dunkerque, des soldats britanniques, français et belges sont encerclés par l'armée allemande et évacués dans l'une des entreprises les plus ambitieuses de la Seconde Guerre mondiale.À Dunkerque, des soldats britanniques, français et belges sont encerclés par l'armée allemande et évacués dans l'une des entreprises les plus ambitieuses de la Seconde Guerre mondiale.À Dunkerque, des soldats britanniques, français et belges sont encerclés par l'armée allemande et évacués dans l'une des entreprises les plus ambitieuses de la Seconde Guerre mondiale.
- Récompensé par 3 Oscars
- 68 victoires et 236 nominations au total
Histoire
Le saviez-vous
- AnecdotesAccording to Sir Kenneth Branagh, roughly thirty Dunkirk survivors, who were in their mid-90s, attended the premiere in London, England. When asked about the movie, they felt that it accurately captured the event, but that the soundtrack was louder than the actual bombardment, a comment that greatly amused writer, producer, and director Sir Christopher Nolan.
- GaffesThe Luftwaffe did not start painting fighter aircraft nose cones yellow until later in 1940. However Christopher Nolan has admitted this was done deliberately to make the German aircraft easier to identify by the audience.
- Crédits fous"The following Dunkirk little ships recreated their courageous and historic journey for this film: Caronia, Elvin, Endeavour, Hilfranor, Mary Jane, Mimosa, MTB 102, New Britannic, Nyula, Papillon, Princess Elizabeth, RIIS I"
- Versions alternativesIn Spain, the film was projected on 2.35:1 screens in the 2.20:1 aspect ratio. But the film was finally projected with black bars on the four sides of the screen. This same situation happened with Jurassic World (2015) and just before the film started a text appeared on the screen explaining the 2.00:1 aspect ratio fitting on the 2.35:1 screen adding black bars up an down. Dunkerque (2017) didn't show any explanation before the film.
- ConnexionsFeatured in Film '72: Épisode #46.1 (2017)
Commentaire à la une
For a teenager today, Dunkirk must seem even more distant than the Boer War did to my generation growing up just after WW2. For some, Christopher Nolan's film may be the most they will know about the event.
But it's enough in some ways because even if it doesn't show everything that happened, maybe it goes as close as a film could to letting you know how it felt.
"Dunkirk" focuses on a number of characters who are inside the event, living it minute by minute.
Tommy, the soldier at the centre of the story, seems at first glance to be the antithesis of the Dunkirk legend. Maybe he fits a New Millennium sensibility rather than a 1940's one, more like a contestant on "Survivor". He does show initiative, but a soldier who throws away his weapon then "helps" wounded to the rear risked a court martial in every army from the Roman Legions on. The lines of stoic soldiers waiting patiently on the beach, the enduring image of the evacuation, seem almost like a backdrop as Tommy and his mate run through them.
The man who embodies the spirit to the full is Dawson, the civilian captain of the Moonstone. He is the sort of man who wins wars; the bloke who sticks to the task when others buckle under pressure; "There's no hiding from this thing son," he says to an officer whose nerve has cracked, all the while steering his little boat towards Dunkirk.
The scenes of aerial combat look so real it makes all other depictions pale in comparison. Peter Jackson once planned to do a remake of "The Dam Busters", but possibly Christopher Nolan would add another dimension to the retelling. The brilliant special effects serve the story. Much of the panorama of Dunkirk is glimpsed almost incidentally from the cockpit of fighter planes or by men struggling in the water.
There are surprises for anyone who thinks they know the story or have seen documentaries or other recreations of the event; it's very different to the crowded Dunkirk of "Atonement".
An unsettling score helps heighten the tension in a film that has you holding your breath in scene after scene.
This is a film that demands more than one viewing.
But it's enough in some ways because even if it doesn't show everything that happened, maybe it goes as close as a film could to letting you know how it felt.
"Dunkirk" focuses on a number of characters who are inside the event, living it minute by minute.
Tommy, the soldier at the centre of the story, seems at first glance to be the antithesis of the Dunkirk legend. Maybe he fits a New Millennium sensibility rather than a 1940's one, more like a contestant on "Survivor". He does show initiative, but a soldier who throws away his weapon then "helps" wounded to the rear risked a court martial in every army from the Roman Legions on. The lines of stoic soldiers waiting patiently on the beach, the enduring image of the evacuation, seem almost like a backdrop as Tommy and his mate run through them.
The man who embodies the spirit to the full is Dawson, the civilian captain of the Moonstone. He is the sort of man who wins wars; the bloke who sticks to the task when others buckle under pressure; "There's no hiding from this thing son," he says to an officer whose nerve has cracked, all the while steering his little boat towards Dunkirk.
The scenes of aerial combat look so real it makes all other depictions pale in comparison. Peter Jackson once planned to do a remake of "The Dam Busters", but possibly Christopher Nolan would add another dimension to the retelling. The brilliant special effects serve the story. Much of the panorama of Dunkirk is glimpsed almost incidentally from the cockpit of fighter planes or by men struggling in the water.
There are surprises for anyone who thinks they know the story or have seen documentaries or other recreations of the event; it's very different to the crowded Dunkirk of "Atonement".
An unsettling score helps heighten the tension in a film that has you holding your breath in scene after scene.
This is a film that demands more than one viewing.
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- How long is Dunkirk?Alimenté par Alexa
Détails
Box-office
- Budget
- 100 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 189 740 665 $US
- Week-end de sortie aux États-Unis et au Canada
- 50 513 488 $US
- 23 juil. 2017
- Montant brut mondial
- 533 696 799 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.20 : 1
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