Dheepan
- 2015
- Tous publics
- 1h 55min
NOTE IMDb
7,2/10
17 k
MA NOTE
Dheepan est un guerrier tamoul sri lankais qui s'enfuit en France et finit par travailler comme concierge en banlieue parisienne.Dheepan est un guerrier tamoul sri lankais qui s'enfuit en France et finit par travailler comme concierge en banlieue parisienne.Dheepan est un guerrier tamoul sri lankais qui s'enfuit en France et finit par travailler comme concierge en banlieue parisienne.
- Nomination aux 1 BAFTA Award
- 6 victoires et 17 nominations au total
Jesuthasan Antonythasan
- Dheepan
- (as Antonythasan Jesuthasan)
Rudhrah
- La femme du camp de réfugié
- (as Rudhra)
Histoire
Le saviez-vous
- AnecdotesLead actor Jesuthasan Antonythasan was a boy soldier with the Tamil Tigers before fleeing Sri Lanka for France, just like the character he plays in the movie.
- ConnexionsReferenced in Théo et Hugo dans le même bateau (2016)
- Bandes originalesVivaldi: Cum Dederit (Andante)
Composed by Antonio Vivaldi
Performed by Andreas Scholl and Australian Brandenburg Orchestra
Conducted by Paul Dyer
(p) 2000 Decca Music Group Limited
With the permission of /Avec L'Autorisation d'Universal Music Vision
Commentaire à la une
"Men and women are immigrants in each other's worlds." Yakov Smirnoff
While the media is awash with stories of displaced persons, especially in Europe and Asia, the engrossing film, Dheepan, depicts the struggles of a small "family" from Sri Lanka that could as easily stand for emigrants anywhere. The titular hero (Jesuthasan Antonythasan) is a former Tamil Tiger trying to leave his violent past by emigrating first to France, then to England.
The fact that the 1983-2009 Sri Lankan Civil War is closing, with Tamil losing, helps to propel the story and give credence to his flight. The story is fascinating as Deephan joins with a woman and a young girl, both previously unknown to him, to leave the country seeming to be a family. Just watching the three maneuver themselves out of India to a Parisian suburb is drama enough, but writer-director Jacques Audiard carefully shows how the new family gradually becomes a functioning, loving trio.
However, it's not at all easy as Dheepan's new job is as caretaker for a housing complex that has a drug operation in one part of it. Although Dheepan tries to stay out of the way, the old Tiger surfaces, and he must fight for his independence as well as the safety and trust of his "wife," Yalini (Kalieaswari Srinivasan).
That fight for family love and survival becomes just as compelling as the struggle of the Tamil Tigers for independence in Northern Sri Lanka. What makes this Cannes Palme d'Or winner so emotionally magnetizing is the quiet way the characters grab hold of your affection, in a sense inching their way into your heart because of the sincerity of their purpose and the charisma of the actors.
Besides the microcosmic attachment to a family in progress, the story, again quietly, references ethnic challenges worldwide as Yalini dons a headscarf to fit into the predominantly Muslim population, an artifice similar to her faking being wife to Deephan and mother to Illavaal (Claudine Vinasithamby). Yet there is nothing deceptive about the power of this story to make universal the need to find a home, and the concomitant importance of a nurturing love.
While the media is awash with stories of displaced persons, especially in Europe and Asia, the engrossing film, Dheepan, depicts the struggles of a small "family" from Sri Lanka that could as easily stand for emigrants anywhere. The titular hero (Jesuthasan Antonythasan) is a former Tamil Tiger trying to leave his violent past by emigrating first to France, then to England.
The fact that the 1983-2009 Sri Lankan Civil War is closing, with Tamil losing, helps to propel the story and give credence to his flight. The story is fascinating as Deephan joins with a woman and a young girl, both previously unknown to him, to leave the country seeming to be a family. Just watching the three maneuver themselves out of India to a Parisian suburb is drama enough, but writer-director Jacques Audiard carefully shows how the new family gradually becomes a functioning, loving trio.
However, it's not at all easy as Dheepan's new job is as caretaker for a housing complex that has a drug operation in one part of it. Although Dheepan tries to stay out of the way, the old Tiger surfaces, and he must fight for his independence as well as the safety and trust of his "wife," Yalini (Kalieaswari Srinivasan).
That fight for family love and survival becomes just as compelling as the struggle of the Tamil Tigers for independence in Northern Sri Lanka. What makes this Cannes Palme d'Or winner so emotionally magnetizing is the quiet way the characters grab hold of your affection, in a sense inching their way into your heart because of the sincerity of their purpose and the charisma of the actors.
Besides the microcosmic attachment to a family in progress, the story, again quietly, references ethnic challenges worldwide as Yalini dons a headscarf to fit into the predominantly Muslim population, an artifice similar to her faking being wife to Deephan and mother to Illavaal (Claudine Vinasithamby). Yet there is nothing deceptive about the power of this story to make universal the need to find a home, and the concomitant importance of a nurturing love.
- JohnDeSando
- 15 juin 2016
- Permalien
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- How long is Dheepan?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Діпан
- Lieux de tournage
- Mandapam, Tamil Nadu, Inde(refugee camp in Sri Lanka)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 261 819 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 249 $US
- 8 mai 2016
- Montant brut mondial
- 5 562 575 $US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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