writer: "Slàinte Mhath", "Assassing", "Script for a Jester's Tear", "Incubus", "Sugar Mice", "Hotel Hobbies", "Warm Wet Circles", "That Time of the Night", "Pseudo Silk Kimono", "Kayleigh", "Lavender", "Bitter Suite", "Heart of Lothian", "The Last Straw", "Incommunicado"
[on being in a studio next to Motörhead in 1986] Have you ever tried to compose next door to a bunch of whizzed up,
unwashed, leather clad loonies who sounded like they were laying the
foundations for a great public building, not making music?
