Ishirô Honda(1911-1993)
- Réalisation
- Scénariste
- Assistance à la réalisation ou Réalisation de seconde équipe
Ishirô Honda est né le 7 mai 1911 au Japon. Il était réalisateur et scénariste. Il est connu pour Godzilla (1954), Godzilla (1998) et Ran (1985). Il était marié à Kimi Honda. Il est mort le 28 février 1993 au Japon.
Photos
Réalisation
- 2000
- 1995
- 1993
- Rêves7,7
- Réalisation (segments The Tunnel, Mount Fuji in Red", prologue and epilogue of "The Weeping Demon, non crédité)
- 1990
- 1987
- 1986
- 1985
- 1984
- 1984
- 1977
- 1977
- 1975
- 1973
- 1973
- 1973
Scénariste
- 2023–2024
- 2023
- 2023
- 2021
- 2021
- 2018
- 2018
- 2017
- 2017
- Godzilla: The Terror of Doom
- based on the character created by
- 2016
- 2016
- 2014
- 2014
- 2007
- 2004
Réalisation ou assistance à la deuxième équipe
- 1993
- 1991
- 1990
- 1985
- 1984
- 1980
- 1951
- 1950
- 1950
- Kaze no ko
- assistance à la réalisation
- 1949
- 1949
- 1949
- Shin baka jidai: kôhen
- assistance à la réalisation
- 1947
- 1947
- Chikagai nijuyojikan
- assistance à la réalisation
- 1947
- Site officiel
- Autres noms
- Inoshiro Honda
- Taille
- 1,80 m
- Date de naissance
- Date de décès
- 28 février 1993
- Tokyo, Japon(insuffisance respiratoire)
- Conjoint
- Kimi Honda1937 - 28 février 1993 (son décès, 2 enfants)
- Annonces publicitaires
- AnecdotesHe was best friends with fellow director Akira Kurosawa. Kurosawa considered Honda to be his equal as a director and in his later years, when his health was failing, would call upon Honda to assist him with his productions. Honda would be the one who delivered the congratulations on behalf of Toho when Kurosawa won his Academy Award. Throughout his career, Kurosawa spoke highly of Honda's contributions to film and, after Honda's death, would deliver the eulogy at his funeral.
- Citations[on Rodan] Monsters are tragic beings. They are born too tall, too strong, too heavy. They are not evil by choice. That is their tragedy. They do not attack people because they want to, but because of their size and strength, mankind has no other choice but to defend himself. After several stories such as this, people end up having a kind of affection for the monsters. They end up caring about them.
- Marques commercialesFrequently shows scenes of people being overwhelmed by an ambush of crowds, human or inhuman, based on a fear he had while stationed in China during World War II.
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