ÉVALUATION IMDb
7,0/10
9,4 k
MA NOTE
Un adolescent solitaire et créatif cherche désespérément à échapper à sa ville natale et aux souvenirs obsédants de son enfance mouvementée.Un adolescent solitaire et créatif cherche désespérément à échapper à sa ville natale et aux souvenirs obsédants de son enfance mouvementée.Un adolescent solitaire et créatif cherche désespérément à échapper à sa ville natale et aux souvenirs obsédants de son enfance mouvementée.
- Prix
- 10 victoires et 10 nominations au total
Isabella Rossellini
- Buffy
- (voice)
Bradley Nippard
- Teenage Boy
- (as Brad Nippard)
Histoire
Le saviez-vous
- AnecdotesStephen Dunn's debut feature film.
- Citations
Brin Madly: If you are forced to walk through shit, then you might as well grow a thick skin.
- ConnexionsReferences The Brady Bunch (1969)
- Bandes originalesGhosts
Performed by Ladytron
Written by Daniel Hunt
Published by Artwerk Music, LLC, worldwide administration by Nettwerk One Music (Canada) Ltd.
Courtesy of Nettwerk Productions, Ltd.
Commentaire en vedette
"I wasn't always this confident. Growing up as the awkward gay kid in a small town in Pennsylvania, you're constantly told, 'Don't be yourself, don't be proud of who you are.'" Carson Kressley
From fast Times at Ridgemont High (1982) to Boyhood (2014), coming –of-age movies over the last 30 years or so have been richly diverse from fantasy to reality. Certainly, being oneself was top priority.
Closet Monster deftly bridges that variety, presenting the tale of queer Oscar (Jack Fulton as a boy, Connor Jessup as 18 years old), whose mom abandons him early in life and dad doesn't measure up in the sensitive category. This entertaining film is more like a bittersweet indie than a mainstream comedy and one of the best of its kind in years.
Along with some appropriate fantasy sequences and a talking hamster (voice of Isabella Rossellini), director/writer Stephen Dunn nonetheless gives us the feeling of reality. Oscar comes slowly to the realization that he's gay with a whole bunch of interest and concern our part. Jessup plays Oscar with such low-key humility and humanity that he makes us want to spend more than ninety minutes with him. I hope Jessup gets the acting recognition he deserves—he's that good.
So real seem Oscar's challenges, from coming on a murderous sex crime as a boy to kicking dad into the closet (nice touch) as a young man, that when we bid him goodbye at a living that will foster his artistic talents, we may well feel we have taken mom's place, or at least the hamster's, in watching him grow up.
The film is realistic but uncompromising as it allows him to be a boy outsider but also befriend an attractive girl, confide in a hamster, and confront his dad with a maturity that suits his perceptive, tough-minded persona. It's no coincidence that the tree house he occupies is a refuge from his dad's temper and a home for his eccentric companions, from the hamster to attractive male friend, Wilder (Aliocha Schneider), and therefore a home for his alternative life.
Even if you are uncertain you would like a gay-centered film, Closet Monster will make you see that a well, warmly-told story from any youth pv will be more exciting than any other mainstream romance you will have seen in a long time.
From fast Times at Ridgemont High (1982) to Boyhood (2014), coming –of-age movies over the last 30 years or so have been richly diverse from fantasy to reality. Certainly, being oneself was top priority.
Closet Monster deftly bridges that variety, presenting the tale of queer Oscar (Jack Fulton as a boy, Connor Jessup as 18 years old), whose mom abandons him early in life and dad doesn't measure up in the sensitive category. This entertaining film is more like a bittersweet indie than a mainstream comedy and one of the best of its kind in years.
Along with some appropriate fantasy sequences and a talking hamster (voice of Isabella Rossellini), director/writer Stephen Dunn nonetheless gives us the feeling of reality. Oscar comes slowly to the realization that he's gay with a whole bunch of interest and concern our part. Jessup plays Oscar with such low-key humility and humanity that he makes us want to spend more than ninety minutes with him. I hope Jessup gets the acting recognition he deserves—he's that good.
So real seem Oscar's challenges, from coming on a murderous sex crime as a boy to kicking dad into the closet (nice touch) as a young man, that when we bid him goodbye at a living that will foster his artistic talents, we may well feel we have taken mom's place, or at least the hamster's, in watching him grow up.
The film is realistic but uncompromising as it allows him to be a boy outsider but also befriend an attractive girl, confide in a hamster, and confront his dad with a maturity that suits his perceptive, tough-minded persona. It's no coincidence that the tree house he occupies is a refuge from his dad's temper and a home for his eccentric companions, from the hamster to attractive male friend, Wilder (Aliocha Schneider), and therefore a home for his alternative life.
Even if you are uncertain you would like a gay-centered film, Closet Monster will make you see that a well, warmly-told story from any youth pv will be more exciting than any other mainstream romance you will have seen in a long time.
- JohnDeSando
- 10 oct. 2016
- Lien permanent
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- How long is Closet Monster?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Closet Monster
- Lieux de tournage
- St John's, Newfoundland, Canada(filmed on location)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 42 166 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 118 $ US
- 25 sept. 2016
- Brut – à l'échelle mondiale
- 42 360 $ US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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