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Ajouter une intrigue dans votre langueWhile studying the effects of global warming on a pod of whales, grad students on a crabbing vessel and its crew uncover frozen Soviet space shuttle and unintentionally release a monstrous o... Tout lireWhile studying the effects of global warming on a pod of whales, grad students on a crabbing vessel and its crew uncover frozen Soviet space shuttle and unintentionally release a monstrous organism from it.While studying the effects of global warming on a pod of whales, grad students on a crabbing vessel and its crew uncover frozen Soviet space shuttle and unintentionally release a monstrous organism from it.
Milla Bjorn
- Svet
- (as Milla Björn)
Michel Estime
- Dock
- (as Mike Estimé)
Edwin R. Habacon
- Atka
- (as Edwin Bravo)
Kraig W. Sturtz
- Roland
- (as Kraig Sturtz)
Histoire
Le saviez-vous
- AnecdotesIn 2010 Amalgamated Dynamics (ADI) was hired to create the practical monster effects for the film La chose (2011). However much to ADI's dismay, the studio had the majority of their work digitally replaced with CGI for the final cut of the film. In response to this, ADI used Kickstarter to fund this film, Harbinger Down, which features entirely practical creature effects created through the use of animatronics, prosthetic makeup, stop motion and miniature effects. There are zero computer animated monsters in this film.
- Gaffes(at around 1 min) The coordinates in the opening scene, 58.122 N -178.603 W, are not in the Arctic Circle but south of it in the Bering Sea.
- ConnexionsReferenced in Skin Wars: Man vs. Machine (2015)
Commentaire en vedette
I started hearing about this movie a while ago and was really keen to check it out because of its' interesting Kickstarter origins and because of its' rather refreshing commitment (at least in this day and age) to avoid using any CGI in favor of employing entirely practical on-screen monster effects. It seemed to be, at least philosophically, an attempt to do a throwback to movies like ALIENS and John Carpenter's THE THING (two of my favorite movies), so I was very eager to support the project and primed and ready to go along for the ride.
Unfortunately, this movie only ended up reminding me of the very first and most important rule about visual effects in movies--they only ever matter when they are being used as a tool to serve something that is far more important--a great story and interesting characters. ALIENS and THE THING had great effects that definitely served important roles in those movies, but they're not what made those movies great. It was the incredibly tight writing and story-telling, the engaging characters and actors who brought them to life, and some masterful direction.
As much as I was routing for it, HARBINGER DOWN fails miserably because it uses its story and characters to prop up and serve the visual effects instead of the other way around. The story borrowed so much from THE THING and ALIENS that it brought absolutely nothing new or interesting to the table. The characters were completely forgettable and you didn't really care what happened to any of them.
And the effects? Well, they're definitely solid and it was nice to see a return to the use of practical monsters--but they honestly weren't good enough to live up to the hype that this movie promised. Given how much the filmmakers were trumpeting this movie as a triumphant return to all practical effects, they needed to raise the bar and bring out some mind-blowing, next-level practical on-screen visual magic and it falls well short of that.
Bottom line (and important lesson of the day)--no amount of visual effects wizardry, whether CGI or practical, can save a movie that is lacking good storytelling and characters.
Here's the thing--at the end of the day, real movie magic doesn't come from creating creatures and effects that seem real. Movie magic comes from creating characters that seem real and putting them in a story/situation that we genuinely care about. Here endeth the lesson.
Unfortunately, this movie only ended up reminding me of the very first and most important rule about visual effects in movies--they only ever matter when they are being used as a tool to serve something that is far more important--a great story and interesting characters. ALIENS and THE THING had great effects that definitely served important roles in those movies, but they're not what made those movies great. It was the incredibly tight writing and story-telling, the engaging characters and actors who brought them to life, and some masterful direction.
As much as I was routing for it, HARBINGER DOWN fails miserably because it uses its story and characters to prop up and serve the visual effects instead of the other way around. The story borrowed so much from THE THING and ALIENS that it brought absolutely nothing new or interesting to the table. The characters were completely forgettable and you didn't really care what happened to any of them.
And the effects? Well, they're definitely solid and it was nice to see a return to the use of practical monsters--but they honestly weren't good enough to live up to the hype that this movie promised. Given how much the filmmakers were trumpeting this movie as a triumphant return to all practical effects, they needed to raise the bar and bring out some mind-blowing, next-level practical on-screen visual magic and it falls well short of that.
Bottom line (and important lesson of the day)--no amount of visual effects wizardry, whether CGI or practical, can save a movie that is lacking good storytelling and characters.
Here's the thing--at the end of the day, real movie magic doesn't come from creating creatures and effects that seem real. Movie magic comes from creating characters that seem real and putting them in a story/situation that we genuinely care about. Here endeth the lesson.
- ariboylandrangerblue
- 23 sept. 2015
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- How long is Harbinger Down?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Trùng Quỷ
- Lieux de tournage
- Chatsworth, Californie, États-Unis(Filming City)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 61 036 $ US
- Durée1 heure 22 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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