The Public

It's the middle of the winter in Cincinnati, and there's a killing freeze. At the main public library, the homeless are looking for a litle warmth, as well as a way to fill their days. One of the senior librarians, Emilio Estevez, doesn't them them out into the deadly cold. Instead, he lets them stay overnight, and stays with them, as aspiring politician Christian Slater tries to get the police to turn it into a law-and-order coup for him, and police negotiator Alec Baldwin tries to understand what is going on.

It's Estevez' sixth movie as director, and his first film appearance in eight years, and it's simultaneously hopeful, depressing and inspiring, with Steinbeck's THE GRAPES OF WRATH frequently referenced. It's also a fine piece of film making, with something to say about many of the subjects that concern people who still like to think with head and feel with their hearts: the purpose and survival of libraries, the mental health crisis, the inability and unwillingness of society to deal with its issues. Estevez's performance is low-key, and affecting, letting the situation and his despair leak into the audience. Other fine performances include Gabrielle Union as a TV news reporter looking for an easily understood narrative, Geoffrey Wright as Estevez' sympathetic and beleaguered boss, and Rhymefest as one of the mentally ill homeless.