Cette comédie romantique contemporaine, inspirée du best-seller mondial, suit la new-yorkaise Rachel Chu à Singapour où elle rencontre la famille de son petit ami.Cette comédie romantique contemporaine, inspirée du best-seller mondial, suit la new-yorkaise Rachel Chu à Singapour où elle rencontre la famille de son petit ami.Cette comédie romantique contemporaine, inspirée du best-seller mondial, suit la new-yorkaise Rachel Chu à Singapour où elle rencontre la famille de son petit ami.
- Prix
- 15 victoires et 70 nominations au total
Iconic On-Screen Romances
Iconic On-Screen Romances
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Histoire
Le saviez-vous
- AnecdotesDirector Jon M. Chu revealed that Michelle Yeoh was dissatisfied with the mock-up ring that her character, Eleanor, was going to wear. She showed him a ring from her personal collection and this eventually became the emerald and diamond ring Eleanor wears in the movie.
- GaffesWhen Nick invites Rachel to Singapore, he says "Singapore for Spring Break". This would place the timing of the film between March and April of the calendar year. However, the Tan Hua (Queen of the Night Flower), which blooms on the second night after they arrive, only blooms between July and October.
- Citations
Astrid Young Teo: It was never my job to make you feel like a man. I can't make you something you're not.
- Générique farfeluThere's a mid-credit scene in which Astrid exchanges glances with a man.
- Autres versionsIn Australia, the film was passed uncut with an M rating for coarse language. The filmmakers then opted to reduce the language in order to obtain a PG classification. For the home video release the film was returned to its uncut M rating.
- ConnexionsFeatured in Late Night with Seth Meyers: Jessica Biel/Awkwafina/Matt Groening (2018)
- Bandes originalesWaiting for Your Return
Written by Hua Shen and Hong Zhao Yuan
Performed by Jasmine Chen
Produced and arranged by Christopher Tin
Commentaire en vedette
Let me say straight off the bat that this does not give an accurate representation of 99% of Singaporeans, such as myself, ordinary people with more modest, down-to-earth backgrounds. This didn't stop me from enjoying this movie, which featured terrific acting, a storyline that translated decently onto the screen and wonderful camerawork and production values.
Michelle Yeoh, acting as the stern, imposing mother of the male protagonist Nicholas gave the standout performance for me- I could sense the intensity of this character without going over-dramatic. Constance Wu, playing the female protagonist, also did terrifically as the girl thrust into a world she's totally unprepared to face. Everyone else, including Henry Goulding as the male protagonist, were also solid.
I found the character development in the movie impressive, not just with the two main characters but even the minor ones too, as their backstories and motivations for behaving the way they did unfolded effectively. The storyline does fall prey to corny moments typical of most rom-coms- indeed, on that note, the story itself unfolded in a manner very formulaic of a rom-com, but that isn't too big of a deal in a script which overall works well. And it's supplemented by interesting camerawork and beautiful production values, illuminating the story very nicely.
Many people seem to really detest this movie (and even the book it's based on), perceiving it as a shallow, silly, even offensive glorification of ultra-rich families and modern-day materialism. I'd say that's too simplistic of an overview, as the heightening of a mega-wealthy bubble that is presented in the story is simply to illustrate the issues and circumstances that someone in that scenario would face. It draws out themes such as the love of wealth, the desire to maintain a reputation before others, and how to manage cultural/social expectations and traditions when they conflict with your wishes. That is something I really appreciated in the film, and would recommend you disregard the negative reviews and give it a watch.
Michelle Yeoh, acting as the stern, imposing mother of the male protagonist Nicholas gave the standout performance for me- I could sense the intensity of this character without going over-dramatic. Constance Wu, playing the female protagonist, also did terrifically as the girl thrust into a world she's totally unprepared to face. Everyone else, including Henry Goulding as the male protagonist, were also solid.
I found the character development in the movie impressive, not just with the two main characters but even the minor ones too, as their backstories and motivations for behaving the way they did unfolded effectively. The storyline does fall prey to corny moments typical of most rom-coms- indeed, on that note, the story itself unfolded in a manner very formulaic of a rom-com, but that isn't too big of a deal in a script which overall works well. And it's supplemented by interesting camerawork and beautiful production values, illuminating the story very nicely.
Many people seem to really detest this movie (and even the book it's based on), perceiving it as a shallow, silly, even offensive glorification of ultra-rich families and modern-day materialism. I'd say that's too simplistic of an overview, as the heightening of a mega-wealthy bubble that is presented in the story is simply to illustrate the issues and circumstances that someone in that scenario would face. It draws out themes such as the love of wealth, the desire to maintain a reputation before others, and how to manage cultural/social expectations and traditions when they conflict with your wishes. That is something I really appreciated in the film, and would recommend you disregard the negative reviews and give it a watch.
- gerald-koh99
- 29 août 2018
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Crazy Rich Asians
- Lieux de tournage
- Newton Food Centre, Newton, Singapour(Ariminta, Colin & Nick introduces Rachel to a hawker food court during their first night out in Singapore)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 174 837 452 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 26 510 140 $ US
- 19 août 2018
- Brut – à l'échelle mondiale
- 239 343 729 $ US
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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