The film was shot partially in VistaVision, a widescreen format that runs 35mm film horizontally through the camera to create eight perforation film frames, twice the size and resolution of standard four perforation 35mm. Though starting with
La guerre des étoiles (1977) VistaVision has continued to see limited use to create high resolution plates for visual effect shots, its use as a primary capture format in cinema faded after the 1960's. While it was initially reported that this film would be the first American film to be shot in the format since
My Six Loves (1963) 62 years prior, it was ultimately beaten to the punch by the film
The Brutalist (2024).
