Une mère demande des réponses à l'enseignant lorsque son fils commence à se comporter de manière étrange.Une mère demande des réponses à l'enseignant lorsque son fils commence à se comporter de manière étrange.Une mère demande des réponses à l'enseignant lorsque son fils commence à se comporter de manière étrange.
- Prix
- 10 victoires et 48 nominations au total
Histoire
Le saviez-vous
- AnecdotesKoreeda said that all the characters in the film, to some degree, are imprisoned by invisible walls. "The mother is restricted by social norms, and the teacher is restricted by his manhood, as well as the school system. And the children are living in this world that the adults have created and they are affected by it, in terms of the violence that is perpetrated upon them. Yet they are able to escape it. It's as if the adults have been left behind, and the children have gone ahead and come to their own self-realization. I wanted it to be a positive realization."
Commentaire en vedette
During the initial hour, you may experience a state of complete bewilderment, unsure of the exact themes being portrayed in here. Is it centred around the troubled minds of children, or does it delve into the realms of bullying, abuse, or even something more sinister?
Several questions will plague your mind, regardless of your strong inclination to scrutinise this narrative, you will find little to no clarity due to the intricately crafted script that almost follows a 'Rashomon' structure, presenting different perspectives.
At the outset, your queries will remain unanswered, requiring further patience. However, if you can somehow endure that burden, the film remarkably unravels itself in the concluding moments, connecting every single dot and revealing its ultimate truth underneath.
I must admit, I was blown away by the revelation. The way Hirokazu Koreeda, the director, masterfully navigates through such delicate and complex themes without resorting to any impure contemplations is commendable, to say the very least.
"Monster" has now undoubtedly become my personal favourite from him, even exceeding one of his most acclaimed work, 'Shoplifters'.
P. S. The performances delivered by the two kids, Soya Kurokawa (Minato) and Hinata Hiiragi (Yori), were nothing short of outstanding. The scenes between them never felt superficial, not once, and their maturity, especially considering their young age, deserves nothing but high praise.
Several questions will plague your mind, regardless of your strong inclination to scrutinise this narrative, you will find little to no clarity due to the intricately crafted script that almost follows a 'Rashomon' structure, presenting different perspectives.
At the outset, your queries will remain unanswered, requiring further patience. However, if you can somehow endure that burden, the film remarkably unravels itself in the concluding moments, connecting every single dot and revealing its ultimate truth underneath.
I must admit, I was blown away by the revelation. The way Hirokazu Koreeda, the director, masterfully navigates through such delicate and complex themes without resorting to any impure contemplations is commendable, to say the very least.
"Monster" has now undoubtedly become my personal favourite from him, even exceeding one of his most acclaimed work, 'Shoplifters'.
P. S. The performances delivered by the two kids, Soya Kurokawa (Minato) and Hinata Hiiragi (Yori), were nothing short of outstanding. The scenes between them never felt superficial, not once, and their maturity, especially considering their young age, deserves nothing but high praise.
- SoumikBanerjee1996
- 1 févr. 2024
- Lien permanent
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Détails
Box-office
- Brut – États-Unis et Canada
- 434 585 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 603 $ US
- 26 nov. 2023
- Brut – à l'échelle mondiale
- 20 582 424 $ US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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