Shehar Lakhot

Went with high expectations after catching the excellently cut trailer, but was hugely disappointed. The series is set in the town of Lakhot somewhere in Rajasthan (though the cars have an RJ27 registration, so I think it was shot in or near Udaipur). It is a sleepy marble stone mining town, where our protagonist Devendra Singh Tomar (Priyanshu Painyuli), a negotiator working for Centre Marbles a supposed giant in the sector is sent (from Gurgaon to Lakhot) to work out a deal with the local protesting Kachdaar tribe, and the company executives of Centre Marble. The fight is over a slain deer on the mining land of the company, reminding us of the Bishnoi community of course. Dev himself has some bad blood with the town and the people living including his family. What follows is Dev getting muddled into the mysteries of the town where everybody hates him for some reason and trying to turn a new leaf for the sake of his family and an old flame.

Navdeep Singh tried emulating the same things that worked for him when he made Manorama Six Feet Under while writing Lakhot. So much so that he has set the series in the same city that his first movie took part in. No prizes for guessing this - Lakhot! But the reason why Manorama worked was because of its taught plot and interesting characters. It was a perfect neo-noir thriller complete with femme fatales, men from royalty turned dubious politicians, etc. And who did the makers have to thank for this excellently written film? Why, but Robert Towne and Roman Polanski! Because the entire movie was heavily inspired by the 1974 Oscar-winning screenplay of Chinatown! It's also weird that the two films that have worked well for Navdeep, i.e. NH10 and Manorama are both almost-remakes of Eden Lake and Chinatown respectively. The two times he tried something original with Laal Kaptaan and Lakhot, he has failed miserably.

None of the characters generate any interest or sympathy from the audience, nor do they try to do so, because the writing is such. Most of what Priyanshu Painyuli tries to say as Dev is quickly cut down by the five expletives he uses in the sentence, which leaves the audience perplexed! You'd have to peel through the alternately placed profanity to decode a sentence. So, the screenplay sucks! Chandan Roy Sanyal who is the villain is the only person who has been given a meaty role and he righteously delivers. But you don't have an ounce of a clue about how and why the characters are the way they are. So, it doesn't really matter. The makers give you quick-cut childhood flashbacks for most characters to give you a semblance of a backstory. But they add to the bore.

It was torture to sit through the entire series.