ÉVALUATION IMDb
7,1/10
30 k
MA NOTE
La relation entre l'écrivain AA Milne et son fils, Christopher Robin, et comment il devint une inspiration pour l'histoire de Winnie l'Ourson.La relation entre l'écrivain AA Milne et son fils, Christopher Robin, et comment il devint une inspiration pour l'histoire de Winnie l'Ourson.La relation entre l'écrivain AA Milne et son fils, Christopher Robin, et comment il devint une inspiration pour l'histoire de Winnie l'Ourson.
- Prix
- 2 victoires et 3 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe film's depiction of C.R. Milne's relationship with his parents is relatively accurate. The actual C.R. never forgave his father for exploiting him (perhaps inadvertently) to sell books. Instead, he learned to accept what had happened and lived with it until he died in 1996. His relationship with his mother was worse; she disapproved of C.R. marrying his cousin. After A.A. Milne died in 1956, C.R. had almost no contact with his mother until she died fifteen years later. C.R.'s only child, his daughter Claire, was born with cerebral palsy. She died in 2012 at age 56.
- GaffesWhen the Guards band are playing, several are wearing modern day medals (Iraq, Afghanistan etc.). The close up of the cymbal player shows the Queen's Golden and Diamond Jubilee Medal which weren't awarded till 2002 and 2012, alongside a LSGC with Queen Elizabeth II on it.
- Citations
Daphne Milne: You know what writing a book against war is like? It's like writing a book against Wednesdays. Wednesdays... are a fact of life, and if you don't like them, you could just stay in bed, but you can't stop them because Wednesdays are coming and if today isn't actually a Wednesday it soon will be.
- ConnexionsFeatured in Box Office: Episode dated 28 September 2017 (2017)
- Bandes originales2 Waltzes, Op. 54: Waltz No. 1: Moderato in A Major
Written by Antonín Dvorák
Performed by Vlach Quartet Prague
Courtesy of Naxos Rights US Inc.
Commentaire en vedette
Not having any serious connection with Pooh, Tigger, Piglet and the rest of the children's story, Winnie the Pooh, I am perhaps even more ready than its devotees to admire Goodbye Christopher Robin. It's a biopic of great sensitivity that mixes nostalgia for the most popular children's book ever with the harshness of two world wars and the practice of parents leaving their children with nannies in the first quarter of the 20th century.
I now wish I had a stronger relationship with those little critters and that lovable boy, for I could have used the distraction from the aftermath of WWII just as Pooh was able to do for the world after the war to end all wars. Author A.A. Milne (a stoic and yet lovable Domhnall Gleeson) was traumatized by his service in the war, and moved slowly to erase that PTSD while creating Pooh. The film spends too much time on his trauma, but it does help fill out Milne's character.
Yet, this is the story of Billy Moon (a remarkably-dimpled, serene Will Tilston), as Christopher Robin is called in real life, who supplies his dad with inspirations for the book. The film centers on remote dad's growing love for the boy and the book while remote mom goes off to London to do who knows what. The film carefully shows how children might be lucky to have a nanny like Neu (Kelly Macdonald) to give them love and some creative inspiration along the way.
Goodbye Christopher Robin is a successful biopic because it doesn't spare the story of anti-helicopter parents who endanger the mental health of their children with their absences. As fame overtakes the Milne family, the film still relays the sense of wonderment Billy had as a child immersed in love of his forest, animals, and imagination.
The biopic may be counter to what we expected of a world-renowned author of a book for children. That he had difficulty initially interacting with his own child is unusual, but the film is successful showing how he warms up and creates a masterpiece as well.
Though not always a feel good movie, Goodbye Christopher Robin makes you wish he'd never go away. It looks like he never will.
I now wish I had a stronger relationship with those little critters and that lovable boy, for I could have used the distraction from the aftermath of WWII just as Pooh was able to do for the world after the war to end all wars. Author A.A. Milne (a stoic and yet lovable Domhnall Gleeson) was traumatized by his service in the war, and moved slowly to erase that PTSD while creating Pooh. The film spends too much time on his trauma, but it does help fill out Milne's character.
Yet, this is the story of Billy Moon (a remarkably-dimpled, serene Will Tilston), as Christopher Robin is called in real life, who supplies his dad with inspirations for the book. The film centers on remote dad's growing love for the boy and the book while remote mom goes off to London to do who knows what. The film carefully shows how children might be lucky to have a nanny like Neu (Kelly Macdonald) to give them love and some creative inspiration along the way.
Goodbye Christopher Robin is a successful biopic because it doesn't spare the story of anti-helicopter parents who endanger the mental health of their children with their absences. As fame overtakes the Milne family, the film still relays the sense of wonderment Billy had as a child immersed in love of his forest, animals, and imagination.
The biopic may be counter to what we expected of a world-renowned author of a book for children. That he had difficulty initially interacting with his own child is unusual, but the film is successful showing how he warms up and creates a masterpiece as well.
Though not always a feel good movie, Goodbye Christopher Robin makes you wish he'd never go away. It looks like he never will.
- JohnDeSando
- 1 nov. 2017
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Tạm Biệt Christopher Robin
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 1 735 251 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 57 917 $ US
- 15 oct. 2017
- Brut – à l'échelle mondiale
- 7 401 949 $ US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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