ÉVALUATION IMDb
6,5/10
135 k
MA NOTE
J. Edgar Hoover, puissant chef du F.B.I. depuis près de cinquante années, fait le point sur sa vie professionnelle et personnelle.J. Edgar Hoover, puissant chef du F.B.I. depuis près de cinquante années, fait le point sur sa vie professionnelle et personnelle.J. Edgar Hoover, puissant chef du F.B.I. depuis près de cinquante années, fait le point sur sa vie professionnelle et personnelle.
- Prix
- 5 victoires et 17 nominations au total
Histoire
Le saviez-vous
- AnecdotesAccording to Armie Hammer, Leonardo DiCaprio and he proposed to producer and director Clint Eastwood to depict the sexual relationship between the characters as graphic, but he refused, arguing the screenplay didn't call for it.
- GaffesNeither Hoover nor Agent Melvin Purvis killed John Dillinger. Dillinger was actually gunned down by agents Clarence Hurt, Charles Winstead, and Herman Hollis. Most historical accounts give Winstead credit for delivering the fatal shot to the back of Dillinger's head. Ironically, given the film's depiction of Hoover as constantly claiming credit for the deed, Winstead received a personal letter of commendation from Hoover for it.
- Citations
J. Edgar Hoover: Do I kill everything that I love?
- ConnexionsFeatured in Ebert Presents: At the Movies: Episode #2.16 (2011)
Commentaire en vedette
Just got back from a screening in Vancouver~ Thanks to Clint Eastwood, it was almost free (only one dollar per ticket) I will try to keep my review spoiler-free~
Personally, I thought it was a great film. Not exceptional in anyway, but still great. The tone reminds me a bit of Changeling. Makes sense since the stories are from the same period. I have to say, with Eastwood, Leonardo DiCaprio and Dustin Lance Black all on board, I was kind of expecting something a bit more than this.
I thought the weakest link was the script. It was interesting, but flawed. Also, the story was not very intriguing. Having watched Milk (also written by Black) and really liked how the story unfolded, I was expecting a great story about how J. Edgar Hoover rose to power and how he gradually transformed into the monster he became in the end. But instead, the story was told by shifting back and forth in time countless times, which at some point made me feel emotionally detached from the story and the characters. The bad bad makeup (I guess we can all agree on that~) was also very distracting. The elderly characters looked like wax figures to me.
That said, I really LOVED Eastwood's score. It was moving and really fit the mood of the film. His direction and camera-work were masterful as always. Leo was very convincing as J. Edgar, although I keep on seeing bits and pieces of Howard Hughes in his performance. Judi Dench and Naomi Watts were both great, however the same thing can not be said about Armie Hammer. I thought he was much better in The Social Network. There were a few good moments between him and Leo, but his performance as the elderly Clyde Tolson was darn right awful. I blame the horrible makeup.
As for the Oscars, this film will get a few nominations, but I doubt that it would become a strong contender. Though Leo's performance was not without its flaws, I thought it was more than enough to secure his leading actor nomination. Nods for best art direction, best cinematography and best score are also quite possible.
This film had the potential to become a masterpiece, but fell short of my expectations mainly due to the uneven script. While far from being one of his best, it is nevertheless a welcome addition to Eastwood's portfolio.
8/10
Personally, I thought it was a great film. Not exceptional in anyway, but still great. The tone reminds me a bit of Changeling. Makes sense since the stories are from the same period. I have to say, with Eastwood, Leonardo DiCaprio and Dustin Lance Black all on board, I was kind of expecting something a bit more than this.
I thought the weakest link was the script. It was interesting, but flawed. Also, the story was not very intriguing. Having watched Milk (also written by Black) and really liked how the story unfolded, I was expecting a great story about how J. Edgar Hoover rose to power and how he gradually transformed into the monster he became in the end. But instead, the story was told by shifting back and forth in time countless times, which at some point made me feel emotionally detached from the story and the characters. The bad bad makeup (I guess we can all agree on that~) was also very distracting. The elderly characters looked like wax figures to me.
That said, I really LOVED Eastwood's score. It was moving and really fit the mood of the film. His direction and camera-work were masterful as always. Leo was very convincing as J. Edgar, although I keep on seeing bits and pieces of Howard Hughes in his performance. Judi Dench and Naomi Watts were both great, however the same thing can not be said about Armie Hammer. I thought he was much better in The Social Network. There were a few good moments between him and Leo, but his performance as the elderly Clyde Tolson was darn right awful. I blame the horrible makeup.
As for the Oscars, this film will get a few nominations, but I doubt that it would become a strong contender. Though Leo's performance was not without its flaws, I thought it was more than enough to secure his leading actor nomination. Nods for best art direction, best cinematography and best score are also quite possible.
This film had the potential to become a masterpiece, but fell short of my expectations mainly due to the uneven script. While far from being one of his best, it is nevertheless a welcome addition to Eastwood's portfolio.
8/10
- qq107
- 5 nov. 2011
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Hoover
- Lieux de tournage
- Warrenton, Virginie, États-Unis(Fauquier County courthouse exteriors)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 37 306 030 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 217 324 $ US
- 13 nov. 2011
- Brut – à l'échelle mondiale
- 84 920 539 $ US
- Durée2 heures 17 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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