Après être tombés amoureux à Paris, Marina et Neil retournent en Oklahoma, où des problèmes surgissent. Le pasteur d'origine espagnole de leur église a des doutes sur sa foi, tandis que Neil... Tout lireAprès être tombés amoureux à Paris, Marina et Neil retournent en Oklahoma, où des problèmes surgissent. Le pasteur d'origine espagnole de leur église a des doutes sur sa foi, tandis que Neil rencontre une femme de son passé.Après être tombés amoureux à Paris, Marina et Neil retournent en Oklahoma, où des problèmes surgissent. Le pasteur d'origine espagnole de leur église a des doutes sur sa foi, tandis que Neil rencontre une femme de son passé.
- Prix
- 6 victoires et 9 nominations au total
Histoire
Le saviez-vous
- AnecdotesOlga Kurylenko, familiar with Terrence Malick's tendency to cut entire characters out of his movies completely, made him promise that he would keep her in the film.
- GaffesWhen Jane and Neil get out of their car in the midst of the bison, cameras reflected in the car windows and doors in various shots.
- Citations
Father Quintana: We wish to live inside the safety of the laws. We fear to choose. Jesus insists on choice. The one thing he condemns utterly is avoiding the choice. To choose is to commit yourself. And to commit yourself is to run the risk, is to run the risk of failure, the risk of sin, the risk of betrayal. But Jesus can deal with all of those. Forgiveness he never denies us. The man who makes a mistake can repent. But the man who hesitates, who does nothing, who buries his talent in the earth, with him he can do nothing.
- ConnexionsEdited into Thy Kingdom Come (2018)
- Bandes originalesHarold in Italy Op. 16 II. March of the pilgrims
Composed by Hector Berlioz
Performed by The San Diego Symphony Orchestra
Conducted by Yoav Talmi
Courtesy of Naxos
By arrangement with Source/Q
As always with Malick, To the Wonder does look absolutely stunning,- excepting a weirdly edited first few minutes- the cinematography has a very dream-like quality to it, the colours positively leap out at you in an eye-popping way and the scenery has a sweeping beauty. Every single one of Malick's films are among the most beautiful films visually I've seen, with every frame having a breathtakingly naturalistic quality without feeling too orchestrated. The classical-style music gives an audibly rich, overwhelmingly emotional and quite haunting quality to To the Wonder, fitting perfectly with every image on screen.
Rachel McAdams and especially Olga Kurylenko give great performances. McAdams is dignified and radiant, while Kurylenko is very touching in her role, and it helps that her character Marina is the most interesting character in the film. Malick's style is unmistakable, and it is clear that he has put a lot of thought into his directing.
He is not entirely successful though. His directing has a thoughtful and philosophical touch, but I did get the sense that he was trying too hard and that he was focusing too much on some aspects and not enough on others. I know a lot of people felt the same with The Tree of Life, but for me that To the Wonder was the first time I got that feeling. While McAdams and Kurylenko are great, Ben Affleck spends much of the film looking lost and Javier Bardem has a rather over-didactic delivery which doesn't allow the poetry of his voice overs to come through enough. It also doesn't help that his scenes feel as though they're from a different film altogether.
The voice overs are very poetically written, Kurylenko's are really quite touching, but a few are a little preachy and are overwhelmed by the music. I have no problem with slow pacing, Malick's films are deliberately meditative and some of my favourite films are the same. But when the story came across as emotionally empty and disjointed and the themes of love, faith and whatnot not developed enough, To the Wonder did feel dull(and I didn't feel that way with any of his previous films). As for the characters, only Marina resonated with me with the rest- especially Bardem's Father Quintana- coming across as disconnected.
Overall, didn't love it or hate it, though I can definitely understand those that fall into either of those categories. If anything I was mixed on To the Wonder, and while it was visually and audibly stunning with two great performances, what worked for me in Malick's previous five films didn't here. By all means though I will give it a second look, I always got the impression that Malick's films should be seen more than once. It worked to some extent as an experience, but I wasn't engaged or emotionally invested in it enough to consider it working as a mood-piece(both of which Malick's films essentially are).
5/10 Bethany Cox
- TheLittleSongbird
- 1 avr. 2013
- Lien permanent
Meilleurs choix
- How long is To the Wonder?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 587 615 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 116 551 $ US
- 14 avr. 2013
- Brut – à l'échelle mondiale
- 2 801 166 $ US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1