Alexander Bracq has a strong erotic presence, and a face as inscrutable as Garbo. I am shocked at the number of poor reviews this film has had. It is gripping, but sags a bit with repetitive hallucinatory/dream images. It is a scenario full of imagination and the director, Ian Powell almost brings it off as being a really fine Gay/Queer cinematic experience. It is basically the story of a male escort in search of his missing brother and on that I am giving away no spoilers. From being an escort he drifts into the porn industry, and most of the people around him have no idea of his mental state, which is very bad indeed. It is as if he is constantly pursued, waking and dreaming with nightmares and visions which are in my opinion quite well realised for the viewer. And yes, some may object, but the use of condoms is repeated more than once in the film. It is not ant-choice but just plain common sense, and the film reinforces that to be persuaded that it is the ultimate ' thrill ' of flesh to flesh without barriers by people with invested interests is not desirable. The porn industry is portrayed as being both good and bad, and there is a certain sense of camaraderie among the men who partake in it. The set up of this particular gay studio that Bracq enters is in conflict, where one director has ideals and the money backer very dark ones. Sadly the dark motives and the setting up of horrifying scenarios, fuelled by dangerous drugs is not homophobic but shows sadly how certain men in control of the industry can destroy lives. It is in the setting up of one such particular scene that I thought let the film down. It is shot as if we are suddenly in a Hammer horror film, or a scene out of such nonsense as ' The Devil Rides out '. The latter an appallingly badly written trash novel by Dennis Wheatley, hopefully now lost to the oblivion it deserves. This is a shame as it is reality we are dealing with, and not one of the lead young actor's hallucinations. This could very much lead viewers to thinking that all explicit eroticism is bad, and in so doing lead to a homophobic reaction. Overall the acting is average, but to be honest a lot of independent cinema has shown a lot worse than this. Despite that quibble the film is erotic in itself without being explicit, and for gay viewers that should be appealing. Eroticism in straight film has been around for a long while to be enjoyable as well as good film, and there is no reason why Gay/Queer film should not have its equivalent as being slightly arousing to watch. But to return to Alexander Gracq. He is a mysterious and strangely different actor than most leads in gay cinema, and this film ( I have no idea how it was received in 2010 ) is thanks to him, and he is in most scenes, and hopefully was praised at the time. I give this a 7 when I was hoping to give it a 10. It is well worth seeing, despite all its faults, and is a good contribution to imaginative cinema.
