ÉVALUATION IMDb
7,3/10
98 k
MA NOTE
Un policier irlandais peu orthodoxe et conflictuel fait équipe avec un agent du FBI crispé pour enquêter sur un réseau de trafic de drogue international.Un policier irlandais peu orthodoxe et conflictuel fait équipe avec un agent du FBI crispé pour enquêter sur un réseau de trafic de drogue international.Un policier irlandais peu orthodoxe et conflictuel fait équipe avec un agent du FBI crispé pour enquêter sur un réseau de trafic de drogue international.
- Nominé pour le prix 1 BAFTA Award
- 17 victoires et 29 nominations au total
Declan Mannlen
- James McCormick
- (as Declan Mannion)
Histoire
Le saviez-vous
- AnecdotesThe film's director and writer, John Michael McDonagh, is the brother of Martin McDonagh, who had directed Gleeson in the Oscar-winning Six Shooter (2004) and the critically acclaimed Bienvenue à Bruges (2008).
- GaffesWhen swimming in the sea Gerry has no gloves and cold red hands. On emerging from the sea to greet Wendell he is wearing wet suit gloves.
- Citations
Sergeant Gerry Boyle: There were gay lads in the IRA?
Colum Hennessey: Mmm... one or two.
[Shrugs]
Colum Hennessey: It was the only way we could successfully infiltrate the MI5.
- ConnexionsFeatured in Maltin on Movies: Cowboys & Aliens (2011)
Commentaire en vedette
Sergeant Gerry Boyle is a rather unconventional police officer – and perhaps not as effective as he could be. When the FBI trace major cocaine players to his district, Boyle is surprised to find that none of them are black or Mexican, but ends up assisting FBI agent Wendell Everett who, for his money, cannot work out if Boyle is really smart or really dumb.
The scenario with The Guard makes it sound like a standard fish out of water tale (with Everett being the fish) or another buddy-cop movie where two conflicting or bickering partners come together to solve the case. True, it has things in common with this genre in its dialogue and gun-fire, but this film is much more like someone took such a genre film and handed the script to the Cohen brothers and Graham Linehan to work on. The plotting is pretty straightforward here but it is the comedy that drives it. Those looking for the easy broad laughs suggested by the trailer might be disappointed because the film is funny because it has great characters and dialogue that is infuse with a wonderful Irish melancholy. Free of sentiment, the film is funnier for it because it is just so wonderfully odd.
The heart of the film is Brendan Gleeson and he owns it. He gets his character just right and has great comic timing and delivery, making the most of the dialogue which is wonderfully shocking and funny throughout. Writer and director McDonagh did an interview recently where he was acerbic and a little too honest about his feelings about his younger brother's success, and he uses this dark edge well in his writing, as well as mixing in visual and musical references to good effect; his script is as strong when it comes to one-liner jokes as it is in regards the brutal humour of his characters unsentimental realism. I'm not sure how they got Don Cheadle on board, but he is pretty good and to his credit the Hollywood star knows that he is supporting Gleeson, which he does. The supporting cast has Cunningham and Strong as philosophising drug dealers and they are as good as the entire supporting cast because the script is great for all the characters.
Overall, The Guard is a hard film to pigeonhole because while it is essentially a mismatched cop partner comedy, it is infused with a real oddness and dry Irish no-nonsense humour that works really well. Gleeson loves every minute of it and dominates the film while everyone wisely plays their part to support him in his lead role. McDonagh does a great job and The Guard will more than help him with his sibling rivalry.
The scenario with The Guard makes it sound like a standard fish out of water tale (with Everett being the fish) or another buddy-cop movie where two conflicting or bickering partners come together to solve the case. True, it has things in common with this genre in its dialogue and gun-fire, but this film is much more like someone took such a genre film and handed the script to the Cohen brothers and Graham Linehan to work on. The plotting is pretty straightforward here but it is the comedy that drives it. Those looking for the easy broad laughs suggested by the trailer might be disappointed because the film is funny because it has great characters and dialogue that is infuse with a wonderful Irish melancholy. Free of sentiment, the film is funnier for it because it is just so wonderfully odd.
The heart of the film is Brendan Gleeson and he owns it. He gets his character just right and has great comic timing and delivery, making the most of the dialogue which is wonderfully shocking and funny throughout. Writer and director McDonagh did an interview recently where he was acerbic and a little too honest about his feelings about his younger brother's success, and he uses this dark edge well in his writing, as well as mixing in visual and musical references to good effect; his script is as strong when it comes to one-liner jokes as it is in regards the brutal humour of his characters unsentimental realism. I'm not sure how they got Don Cheadle on board, but he is pretty good and to his credit the Hollywood star knows that he is supporting Gleeson, which he does. The supporting cast has Cunningham and Strong as philosophising drug dealers and they are as good as the entire supporting cast because the script is great for all the characters.
Overall, The Guard is a hard film to pigeonhole because while it is essentially a mismatched cop partner comedy, it is infused with a real oddness and dry Irish no-nonsense humour that works really well. Gleeson loves every minute of it and dominates the film while everyone wisely plays their part to support him in his lead role. McDonagh does a great job and The Guard will more than help him with his sibling rivalry.
- bob the moo
- 20 sept. 2011
- Lien permanent
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- How long is The Guard?Propulsé par Alexa
Détails
Box-office
- Budget
- 6 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 5 360 274 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 76 834 $ US
- 31 juill. 2011
- Brut – à l'échelle mondiale
- 19 561 904 $ US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was L'Irlandais (2011) officially released in India in English?
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