Cheyenne, une rock star à la retraite vivant de ses royalties à Dublin, retourne à New York pour rechercher l'homme ayant humilié son père récemment décédé pendant la Seconde Guerre mondiale... Tout lireCheyenne, une rock star à la retraite vivant de ses royalties à Dublin, retourne à New York pour rechercher l'homme ayant humilié son père récemment décédé pendant la Seconde Guerre mondiale.Cheyenne, une rock star à la retraite vivant de ses royalties à Dublin, retourne à New York pour rechercher l'homme ayant humilié son père récemment décédé pendant la Seconde Guerre mondiale.
- Prix
- 19 victoires et 17 nominations au total
- Elevator Woman #4
- (as Sara Kamoo)
Histoire
Le saviez-vous
- AnecdotesThe organ-like instrument that David Byrne plays for Cheyenne is a variation of Byrne's "house organ." Byrne created the organ in 2008 as part of an art installation project in New York City. Instead of playing musical notes, each key on the organ transmits a signal through a wire, which in turn "plays" the building: for example, motors vibrating a set of metal girders, hoses blowing air through the building's water pipes, or metal rods striking the radiator.
- GaffesCheyenne refers to the band as "The Talking Heads". David Byrne and group went so far as to name an album "The Name of This Band is Talking Heads" to help people drop the "the".
- Citations
Rachel: No shit! Now I remember you. You sang with Mick Jagger once.
Cheyenne: I know him. He's a good singer, I like the way he dances.
Rachel: Listen your cheeseburger is a bit too well done. You don't mind do ya? Unfortunately, that's life!
Cheyenne: You know what the problem is... Rachel?
Rachel: What?
Cheyenne: Without realizing it, we go from an age where we say: "My life will be that" to an age where we say: "That's life."
- Autres versionsThe international version is approximately 7-minute shorter than the version screened at the Cannes Film Festival and released in Italy.
- ConnexionsFeatured in WatchMojo: Top 10 Sean Penn Performances (2013)
- Bandes originalesThis Must Be The Place (Naive Melody)
Written by David Byrne (as D. Byrne), Tina Weymouth (as T. Weymouth), Jerry Harrison (as J. Harrison), Chris Frantz (as C. Franz)
Performed by David Byrne
(c) Warner Bros. Music Inc. / Index Music Inc.
Licensed by Warner Bros. Music Italy S.r.l.
Sean Penn tries very hard in this film, taking on a role of the worn out and disturbed rock star (Cheyenne) living in isolation. His character is weirdly ambiguous—and just plain weird—somewhere between a cross-dresser, a transvestite, and a myopic hedonist. He is something like "the idiot" of literature who seems completely out of touch but also has a wisdom and aloof perspective others do not.
It sometimes works. The movie itself is filled with ambiguity, and not in an enchanting way. Since it does not charm by its aura and filmic intention (it has little of either), it should give us a better sense of what exactly is going on. Oh, you'll get the drift, and you'll pick up on the Cheyenne's regret and melancholy. And you might understand he hits the road in a bumbling search for some evil-doer geriatric Nazi (I'm serious) that no other person is better qualified to pursue.
Well, any movie that pushes into its own sphere with some enthusiasm is worth watching, to me. I'm glad I did. But I can use my experience to warn a viewer that it's a personal calling here. Penn alone is reason to either hate or like the film, his overacting reminding me mostly that there are people who are really like this character who would have done much better. Instead we feel him acting all the time. It should be said that some of the other actors are forced to push their performances, too.
One curious aspect to the film I loved was all the versions of the one song in the film, "Home" or "This Must Be the Place" by the Talking Heads (and performed by all kinds of people including David Byrne himself in a small, very tacked-on cameo). Some of the versions are so different you might not even catch that it's the same song again. Listen.
So what's the point of all this angst and campy sadness? I think it's about the rediscovery of this Cheyenne's self. His real self, a person with normal qualities. He succeeds by breaking out of his self-imposed hermetic world and in a way it's a warm and almost terrific experience. For him and for the viewer. But for all its intentions it felt forced to me. There wasn't enough supporting material, not enough ambiance, and not enough character development (oddly enough, since it's all about Cheyenne's character). There is so much time spent on superficial aspects we never really get into the depths that might be here. Maybe.
I want to think of this as a 10 star dream with a 4 star soul. That makes 7, I guess. But it feels less satisfying than that for me, and I'm thinking you'll know by now whether you might give this a tentative whirl.
- secondtake
- 25 nov. 2013
- Lien permanent
Meilleurs choix
- How long is This Must Be the Place?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Este debe ser el lugar
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 € (estimation)
- Brut – États-Unis et Canada
- 143 979 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 754 $ US
- 4 nov. 2012
- Brut – à l'échelle mondiale
- 11 928 909 $ US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1