L'histoire d'amour entre un homme politique et une danseuse contemporaine, influencée par des forces mystérieuses qui les séparent.L'histoire d'amour entre un homme politique et une danseuse contemporaine, influencée par des forces mystérieuses qui les séparent.L'histoire d'amour entre un homme politique et une danseuse contemporaine, influencée par des forces mystérieuses qui les séparent.
- Prix
- 1 victoire et 9 nominations au total
- Suburban Neighbor
- (as Natalie E. Carter)
- U.S. Coast Guard Officer
- (as Capt. Gregory P. Hitchen)
- Upstate Farmer
- (as Darrell James LeNormand)
- Mayor Michael R. Bloomberg
- (as Mayor Michael R. Bloomberg)
- Political Consultant
- (as Kar)
Histoire
Le saviez-vous
- AnecdotesAccording to Emily Blunt, filming at the Statue of Liberty was frequently interrupted by onlookers yelling out "Matt Damon!" in imitation of the puppet from Escouade américaine: Police du monde (2004).
- GaffesWhen David is on the bus with Elise she drops his blackberry in the cup of coffee. He receives a call from Charlie on his flip phone. After the scene cuts to Charlie talking on the phone and back to David, David is talking on his Blackberry instead of the flip phone. This is one continuous conversation that should have been done on one phone.
- Citations
[last lines]
Harry Mitchell: Most people live life on the path we set for them, too afraid to explore any other. But once in a while people like you come along who knock down all the obstacles we put in your way. People who realize freewill is a gift that you'll never know how to use until you fight for it. I think that's the chairman's real plan. That maybe one day, we won't write the plan, you will.
- Générique farfeluSpecial Thanks: The Chairman
Caveat, I'm not the target audience, (and hadn't read the short story source first) so for you to calibrate: I rated Jumper at 7; Avatar at 6 bumped up to an 8 for CGI; and Last Airbender at 3.
This film has all the individual elements for a great time: The opening draws you into the story; Blunt is engaging and sensual; Stamp is villainous; Damon/Blunt have fabulous chemistry including a great meet; initial mystery, sophisticated humor, snappy repartee, wonderful score, and superb scenery. The supporting characters are well cast and acted. However, the thin plot doesn't sustain the whole movie, and it takes too long for the minimal plot to unfold, even though there are myriad chase scenes to divert you at first.
The movie was seemingly created for chase scenes, with a poorly contrived reason for the "boy meets girl, boy loses girl but continues to search for her storyline", tossed in to justify all the chasing. In attempting to make everything mysterious, the audience is kept as ignorant as the characters to the point where it became "THATS the reason he's been chasing after her? How DISAPPOINTING!" when the cause for separation is unveiled. The secret meetings which presumably either advance or reveal the mystery were annoying instead. Finally, in the last portion of the movie, the opening doors and running become so repetitive, you can feel like the Blunt character, who has her hands over her head and is screaming. The ending is abrupt, contrived and disappointing, a veritable deus ex machina version.
Conversely, my companion who loves everything sci-fi or sci-fantasy, and reads Phillip K Dick (including the short story on which this was based) rated the movie "excellent" as opposed to my "ok". Even though the movie diverges from the short story, he suffered no confusion or disappointment with the story line, big reveals, or ending. He also thought the cast, romance, and humor were great.
We both agree--do see the movie on the big screen as it certainly enhances the suspense and startling moments (political crowd scene, adjustment scene, car crashes, action scenes and finale) and shows off the great NYC locations. He says go ahead and pay full price,the movie is worth it
- dontcaretoshare-6512
- 11 janv. 2011
- Lien permanent
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Adjustment Bureau
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 200 000 $ US (estimation)
- Brut – États-Unis et Canada
- 62 495 645 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 21 157 730 $ US
- 6 mars 2011
- Brut – à l'échelle mondiale
- 127 869 379 $ US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1