this film is under the influence of ceylan work, characters that are outside of society, filmed in idyllic locations, with a lot of non narrative shots of nature, slow pace until the eventual downfall of the central character.I don't know if Turkish directors discovered existentialist approach in cinema 40 years later but those works are compelling.They really promote their country with beautiful photography and sometimes story becomes secondary, personally i started to wish visiting turkey!People who like images like me will always search of films that celebrate mise en scene.The political aspect of those films (ceylan, ustaoglu)seems to me little under developed or if you wish undermined from the tribulations of the characters, still people who take cinema more seriously than entertainment must see that body of work.
