Ajouter une intrigue dans votre langueA contractor helps a woman renovate a house so she can adopt a sick neighbor's two children.A contractor helps a woman renovate a house so she can adopt a sick neighbor's two children.A contractor helps a woman renovate a house so she can adopt a sick neighbor's two children.
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- 1 nomination au total
Darin Scott
- Brian
- (as Darin Southam)
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- AnecdotesAt about the 59 minute mark, when Melody is telling Nina what she was doing when she was her age, she says she chose to go to Vegas one summer. Nina (Marisol Nichols) tells Melody that she "danced on one of those neon signs". Marisol Nichols starred as Audrey Griswold, in Vegas Vacation, in 1997. In one scene, Audrey (Marisol Nichols) famously danced on a neon sign.
- GaffesDuring the "one year later" part, the dog is still a puppy. Then a few months later the dog looks older (played by an older dog).
- ConnexionsReferences Vacances à Las Vegas (1997)
Commentaire en vedette
Have been on a roll watching Christmas films every now and again for a while. Especially the output of Hallmark and Lifetime. It has been an interesting experience, but also a very uneven one and at times frustratingly so. 'Holly and Ivy' did sound good on paper and while some of the synopsis sounded familiar, especially early on, it sounded as if the film was trying to not be too conventional. Plus with that many liked it, there was no chance of missing it.
2020's 'Holly and Jolly' didn't disappoint. As far as all the Christmas films seen as part of my Christmas films go, it is among the best and namely because it was one of the few recently seen ones that had emotional impact and didn't try to stick too much to conventions. 'Holly and Ivy' is not a masterpiece and it won't be one of my favourites any time soon, but it comes to talking about the 2020 Hallmark Christmas films this is among the best.
It is a bit of a slow starter, with the film taking a bit of time to get going story and script wise.
Do agree that Marisol Nichols never quite disappeared into her role and comes over as overly-restrained, even for a restrained character.
On the other hand, much is great. 'Holly and Ivy' looks attractive, especially the scenery, and the music has a pleasant and nostalgic quality that doesn't become overdone, over-emphasised or too syrupy. The direction was sympathetic but still gave the film momentum when necessary.
The dialogue is heartfelt, thoughtful and flows well without being self-indulgent or too flowery. The story is charming and moving, but instead of going down the cheesy and sugary sweet route that a lot of Christmas films in recent years do it takes a grittier and more serious turn. Without being overly-serious that it becomes dreary, without it getting preachy and without the shift being jarring. The charm and pathos, as well as heartfelt warmth, were still there even in these stretches while neither go into overload. The ending did move me a lot, easily the most heart-wrenching ending of all the 2020 Hallmark Christmas films and actually the only one to move me.
So refreshing too in 'Holly and Ivy' to have characters that felt like real people and ones that one gets behind in their trials and tribulations. Something not commonly found in recent years Christmas films. Personally thought Jannelle Parrish was fine and had charm and energy. Jeremy Jordan doesn't overplay or underplay, while Piper Rubio is adorable. As is Betty. The characters have a very natural and sincere chemistry, especially in the final third.
Concluding, well done. 7/10.
2020's 'Holly and Jolly' didn't disappoint. As far as all the Christmas films seen as part of my Christmas films go, it is among the best and namely because it was one of the few recently seen ones that had emotional impact and didn't try to stick too much to conventions. 'Holly and Ivy' is not a masterpiece and it won't be one of my favourites any time soon, but it comes to talking about the 2020 Hallmark Christmas films this is among the best.
It is a bit of a slow starter, with the film taking a bit of time to get going story and script wise.
Do agree that Marisol Nichols never quite disappeared into her role and comes over as overly-restrained, even for a restrained character.
On the other hand, much is great. 'Holly and Ivy' looks attractive, especially the scenery, and the music has a pleasant and nostalgic quality that doesn't become overdone, over-emphasised or too syrupy. The direction was sympathetic but still gave the film momentum when necessary.
The dialogue is heartfelt, thoughtful and flows well without being self-indulgent or too flowery. The story is charming and moving, but instead of going down the cheesy and sugary sweet route that a lot of Christmas films in recent years do it takes a grittier and more serious turn. Without being overly-serious that it becomes dreary, without it getting preachy and without the shift being jarring. The charm and pathos, as well as heartfelt warmth, were still there even in these stretches while neither go into overload. The ending did move me a lot, easily the most heart-wrenching ending of all the 2020 Hallmark Christmas films and actually the only one to move me.
So refreshing too in 'Holly and Ivy' to have characters that felt like real people and ones that one gets behind in their trials and tribulations. Something not commonly found in recent years Christmas films. Personally thought Jannelle Parrish was fine and had charm and energy. Jeremy Jordan doesn't overplay or underplay, while Piper Rubio is adorable. As is Betty. The characters have a very natural and sincere chemistry, especially in the final third.
Concluding, well done. 7/10.
- TheLittleSongbird
- 7 mars 2022
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By what name was Holly & Ivy (2020) officially released in India in English?
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