En 2028 à Détroit, Alex Murphy, mari dévoué, père et bon flic, est blessé de manière critique dans l'exercice de ses fonctions. C'est l'occasion pour que le conglomerat OmniCorp crée le poli... Tout lireEn 2028 à Détroit, Alex Murphy, mari dévoué, père et bon flic, est blessé de manière critique dans l'exercice de ses fonctions. C'est l'occasion pour que le conglomerat OmniCorp crée le policier mi-homme, mi-robot.En 2028 à Détroit, Alex Murphy, mari dévoué, père et bon flic, est blessé de manière critique dans l'exercice de ses fonctions. C'est l'occasion pour que le conglomerat OmniCorp crée le policier mi-homme, mi-robot.
- Prix
- 4 victoires et 1 nomination au total
- Jack Lewis
- (as Michael K. Williams)
Histoire
Le saviez-vous
- AnecdotesDuring production of the film, José Padilha phoned friend and fellow Brazilian director Fernando Meirelles to confide in him his frustration in the lack of creative control he was allowed by the studio for the project. Padilha estimated that for every ten ideas he brought to the project, the studio refused nine, and went on to the describe the making of the film as "The worst experience of his life". When word of this conversation became public, in an effort to appease the studio, Padilha released counter statements expressing satisfaction with the film.
- GaffesTakes place in Detroit, Michigan but Toronto's CN Tower and Canadian flags are visible when RoboCop is on his motorcycle on the highway.
- Citations
Raymond Sellars: Alex, we need to work together here, because I'm the only one with the technology to keep you alive.
RoboCop: Dead or alive, you're coming with me.
- Générique farfeluThe audio of the MGM logo is replaced by vocal effects generated by Samuel L. Jackson before the film begins with him exercising his voice before going on air.
- ConnexionsFeatured in Trailer Failure: Robocop (2013)
- Bandes originalesRoboCop Original Theme
Written by Basil Poledouris
Now, twenty-five years later, it gets rebooted (not including the pretty poor showings which made up Robocop's sequels and TV spin-off show). And, the first thing you need to know, is that it's no longer an 'adult' movie. Due to the film-makers wanting to claw back as much of its budget as they could, they've gone and made it a PG-13/12 certificate. So, what we're left with is the cyborg-action equivalent of World War Z (a mainstream big budget zombie film with no violence or gore).
This is the major 'flaw' in the film (which most people seem to dwell on). It's fair to say that this reboot hasn't performed as well as the producers would have liked it to (I'll bet they were hoping this would be the springboard to launch a lucrative franchise off of). However, if you get over the die-hard fans and their shouts of disapproval because no one gets melted in a vat of toxic waste, you may actually enjoy it.
Yes, the action is greatly reduced, but what's there is still pretty cool. Plus the cast is excellent and what it lacks in fight scenes it makes up for in commentary on today's modern way of life and how much computers (and in this case robots) intrude and may well intrude with our day to day existence.
If you ask me which Robocop is better (1987 vs 2014) I would say the original, but simply because it was just that – the original. Plus I have never ending nostalgia for one of my favourite childhood movies. However, if you can put any bias you have to the back of your mind and look at this one as a completely fresh tale which simply borrows major plot points and situations from its source material, then you may just find an enjoyable movie in there somewhere.
Thank you for your cooperation.
http://thewrongtreemoviereviews.blogspot.co.uk/
- bowmanblue
- 9 juin 2014
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- OmniCorp
- Lieux de tournage
- Scarborough, Ontario, Canada(Centennial College)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 58 607 007 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 21 681 430 $ US
- 16 févr. 2014
- Brut – à l'échelle mondiale
- 242 688 965 $ US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1