Cinq amis qui se retrouvent pour achever leur épique tournée des bars qu'ils n'ont pas pu terminer vingt ans auparavant deviennent involontairement le dernier espoir de survie de l'humanité.Cinq amis qui se retrouvent pour achever leur épique tournée des bars qu'ils n'ont pas pu terminer vingt ans auparavant deviennent involontairement le dernier espoir de survie de l'humanité.Cinq amis qui se retrouvent pour achever leur épique tournée des bars qu'ils n'ont pas pu terminer vingt ans auparavant deviennent involontairement le dernier espoir de survie de l'humanité.
- Prix
- 4 victoires et 28 nominations au total
Histoire
Le saviez-vous
- AnecdotesFelicity, Andy's assistant from the start of the film, is named after a young woman from Stockport, called Fliss, who tragically passed away. She was a massive Simon Pegg fan and he had sent her signed pictures at the request of her dad when she was ill. She passed before she could receive them. When Simon Pegg found out, he wrote the character into the movie in her memory.
- GaffesWhen Gary crosses off the 10th pub on the map, the figure of the "modern art" statue can be seen on the map just below the second and third pubs. But since this is the same map he used for the original crawl before The Network arrived, and since the statue is apparently part of The Network, it should not appear on the map. It is also apparent that the statue was not there at the time of the original Golden Mile since they wonder about what it is when they pass it earlier in the night.
- Citations
Oliver Chamberlain: WTF, Gary. WTF.
Gary King: What the fuck does WTF mean?
Peter Page: [getting out the cubicle] What the fuck?
Gary King: Ooohh yeah!
- Générique farfeluPeople going to see the film at the Broadway Cinema in Letchworth, the location for the outside of The Mermaid, were shown a short clip beforehand featuring Simon Pegg, Edgar Wright and Nick Frost, welcoming them to the cinema and hoping they enjoyed watching it from inside one of the filming locations.
- ConnexionsFeatured in Projector: The World's End (2013)
- Bandes originalesSummer's Magic
(Luc Aulivier, Jacques Charriere, Serge Danot, Alain Legrand, Mark Summers)
Performed by Mark Summers
Courtesy of Island Records Ltd
Under license from Universal Music Operations Ltd
Commentaire en vedette
Five pre-middle-aged male friends are drawn to Newton Haven, the site of their failed dozen-pub crawl as students in 1990. They're led by Gary King (Simon Pegg). He's the one who couldn't move on from that night; couldn't get a job like them, or get married like them. Reluctant revelry and bad-tempered banter ensues, before the gang discovers that the residents of the town have changed. That is, they have BEEN changed...
The World's End is considerably better than the ostensibly similar This Is The End, a super-indulgent American comedy which mistook f-bombs for humour and name-dropping for satire. Edgar Wright's film is indulgent also, but at the service of audience enjoyment, as opposed to the enjoyment of the players. The script is surprisingly dense and intricate, many of its jokes arriving bittersweet. In an era when so many comedies are heavily (and lazily) improvised, it's refreshing to watch a tightly woven story unfold for once.
The action scenes are given equal attention, lovingly choreographed like some kind of slapstick dance. Chief pugilist is Andrew, our sort-of-hero, played by Nick Frost with remarkable agility. This instalment is far less bloodthirsty than its predecessors - more Scott Pilgrim than Shaun.
The rest of the group is made up of Paddy Considine, Eddie Marsan, and Martin Freeman. The performances are all top-drawer, although it takes time for their individual personalities to emerge. But then, the fact that they are now practically indistinguishable may be the point - for all their disapproval of Gary, they are the ones playing it safe.
What's most impressive about The World's End is the fact that it's actually about something. Nostalgia is easy to indulge but difficult to deconstruct, but this film genuinely aspires to explore the idea of selective memory - as with a bad hangover, our memories tends to return in subjective spasms, and the truth is only accessible by gathering multiple witnesses. And the truth isn't always what it cracked up to be.
The World's End is, for me, the best of the "Cornetto Trilogy". Highly recommended.
The World's End is considerably better than the ostensibly similar This Is The End, a super-indulgent American comedy which mistook f-bombs for humour and name-dropping for satire. Edgar Wright's film is indulgent also, but at the service of audience enjoyment, as opposed to the enjoyment of the players. The script is surprisingly dense and intricate, many of its jokes arriving bittersweet. In an era when so many comedies are heavily (and lazily) improvised, it's refreshing to watch a tightly woven story unfold for once.
The action scenes are given equal attention, lovingly choreographed like some kind of slapstick dance. Chief pugilist is Andrew, our sort-of-hero, played by Nick Frost with remarkable agility. This instalment is far less bloodthirsty than its predecessors - more Scott Pilgrim than Shaun.
The rest of the group is made up of Paddy Considine, Eddie Marsan, and Martin Freeman. The performances are all top-drawer, although it takes time for their individual personalities to emerge. But then, the fact that they are now practically indistinguishable may be the point - for all their disapproval of Gary, they are the ones playing it safe.
What's most impressive about The World's End is the fact that it's actually about something. Nostalgia is easy to indulge but difficult to deconstruct, but this film genuinely aspires to explore the idea of selective memory - as with a bad hangover, our memories tends to return in subjective spasms, and the truth is only accessible by gathering multiple witnesses. And the truth isn't always what it cracked up to be.
The World's End is, for me, the best of the "Cornetto Trilogy". Highly recommended.
- rooee
- 22 juill. 2013
- Lien permanent
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Détails
Box-office
- Budget
- 20 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 26 004 851 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 811 790 $ US
- 25 août 2013
- Brut – à l'échelle mondiale
- 46 092 117 $ US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What is the streaming release date of Le dernier pub avant la fin du monde (2013) in Spain?
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