Les limites du contrôle

I guess for Jim Jarmusch, the shot, not the characters or the narrative is the building block and center of the film. Each shot is almost a minor Magritte painting with some detail incongruous enough to make us chuckle or wonder WTF. Why does the lead character order two cups of espresso? Why does the character wear those too tight shiny suits? What is the meaning of the constant exchanging of match boxes? This movie could be called "Match boxes and coffee" instead of "Cigarettes and Coffee," an even slower movie Jarmusch. The narrative is without excitement or tension. For a brief moment I had hoped that Jarmusch would pick up the pace when the hero saw the armed camp/complex. I thought the hero would race down and shoot ten or twenty men and jump out of the way of army jeeps and bound over walls to get inside. Nope, not this movie. Jarmusch just has the character appear inside the complex in the next scene and mysteriously hint at the way he got in. The movie does pick up in about five or six scenes with Paz De La Huerta. She is just called Nude and she appears in a series of what seems like nude poses. It is quite erotic and does make the first half of the picture move entertaining. There is also a nice dialogue scene about Orson Welles "Lady from Shanghai." These are the highlights of the film for me ten minutes watching Paz De La Huerta act without clothes, a discussion of "Lady from Shanghai" and those too tight shiny suits. Amusing, but too laid back.