Après avoir été bannis de leur tribu, deux chasseurs-cueilleurs rencontrent des personnages bibliques et se retrouvent dans la ville de Sodome.Après avoir été bannis de leur tribu, deux chasseurs-cueilleurs rencontrent des personnages bibliques et se retrouvent dans la ville de Sodome.Après avoir été bannis de leur tribu, deux chasseurs-cueilleurs rencontrent des personnages bibliques et se retrouvent dans la ville de Sodome.
- Prix
- 1 nomination au total
Matthew Willig
- Marlak
- (as Matthew J. Willig)
Histoire
Le saviez-vous
- AnecdotesFinal film directed by Harold Ramis. It's also his last acting role.
- GaffesWhen Oh first appears with gold paint, he has no eyeliner. Midway through his conversation, he has thick black eyeliner.
- Générique farfeluSeveral bloopers are shown during the first half of the end credits.
- Autres versionsThe UK release was cut, this film was originally shown to the BBFC in an unfinished version. The BBFC advised the distributor that the film was likely to receive a 15 classification but that the requested 12A classification could be obtained by making changes to dialogue. In particular the BBFC suggested that the distributor remove the line, "my thingy smells like lamb chops" when a character talks about 'multiplying with sheep'; that they remove the line, "did you know he can put his penis in his mouth, the whole thing"; and the line "his poor rectum is absolutely pulverised, which is not usual for a sheep in this region". When the finished version of the film was submitted these changes had been made and the film was classified 12A.
- ConnexionsFeatured in The Rotten Tomatoes Show: Taking of Pelham 123/Imagine That/Moon (2009)
- Bandes originalesKecak Dance
Traditional
Performed by Tojan
Courtesy of Celestial Harmonies
Commentaire en vedette
OK first let's take a quick paragraph to analyze the history of successful comedy duos. There's Abbot & Costello: a simple-minded clown (Costello) and his more-intelligent, straitlaced keeper (Abbott). Then there's Martin & Lewis: another simple-minded clown (Lewis) and his more intelligent, suave keeper (Martin). Laurel & Hardy: same formula. Mork & Mindy, Laverne & Shirley, Ren & Stimpy, the list goes on. This successful pattern, with minor variations, repeats itself through the years. The clown is always kept in line by his/her more intelligent & responsible keeper.
Here we have a switcheroo. With Black & Cera, the idiot (Jack Black) is in charge, while the smart one (Cera) is taking orders. The dynamic, especially with the extreme opposite personalities of Black & Cera (outgoing vs. introverted), is a riot. Both are equally hilarious, and when they play off each other, it can be downright asphyxiating. I can't believe that this is the only film that features the two of them together like this, but that alone makes "Year One" worth running out to see.
Apparently critics haven't been kind to this movie. I've read the reviews on Rotten Tomatoes and almost all of the negatives harp on how this doesn't stand up to writer/director Harold Ramis's past hits like Caddyshack, Vacation, Ghostbusters, etc. So what? Beethoven's 9th symphony may not have been as powerful as his 5th but we still like it.
"Year One" delivers some great laughs, period. Beginning in what seems to be caveman times but quickly shifting into Old Testament Biblical times, it takes us on a wild romp through episodes of Cain & Abel, Abraham & Isaac, Sodom & Gomorrah, and a particularly boy-hungry high priest played by Oliver Platt (you will NEVER recognize him). Irreverent, yes. Funny, yes. Offensive, I doubt it. Not any more than "History of the World Part 1" or "Monty Python's Holy Grail". Definitely less biting than "Life of Brian". But it does pack some bite.
The story isn't particularly new, but it serves its purpose to serve as a vehicle for some witty gags. And again I must harp on the Black-Cera delivery that makes it work. Jack Black plays an inept, loud-mouthed hunter who is constantly coming up with stupid ideas that get them in big trouble. Cera plays a meek gatherer who follows along with everything, quietly trying to explain the idiocy of it all while being ignored. The comedy flows so naturally you'd think it was all improvised like in a Christopher Guest film. But I read in an interview that there wasn't much improv at all. Just a carefully planned script and excellent delivery.
The comedy is mostly family-friendly, but there are some adult innuendos and suggestive gags that may cross the line on occasion. If you & your family feel comfortable laughing about circumcisions, then hey no problem.
Although similar in theme, I would never compare "Year One" to "History of the World" or "Holy Grail". Instead, the comedy reminds me more of "The Rocker" (with Rainn Wilson playing a washed-up 80s metal drummer trying to survive in a band today) or maybe even "Men in Black", odd as that may seem.
There are rumors that Black & Cera may have parts in Ramis's upcoming "Ghostbusters III", and if so I'll definitely run out and see it. Until then, "Year One" remains your only chance to experience this one-of-a-kind matchup. Don't miss out.
Here we have a switcheroo. With Black & Cera, the idiot (Jack Black) is in charge, while the smart one (Cera) is taking orders. The dynamic, especially with the extreme opposite personalities of Black & Cera (outgoing vs. introverted), is a riot. Both are equally hilarious, and when they play off each other, it can be downright asphyxiating. I can't believe that this is the only film that features the two of them together like this, but that alone makes "Year One" worth running out to see.
Apparently critics haven't been kind to this movie. I've read the reviews on Rotten Tomatoes and almost all of the negatives harp on how this doesn't stand up to writer/director Harold Ramis's past hits like Caddyshack, Vacation, Ghostbusters, etc. So what? Beethoven's 9th symphony may not have been as powerful as his 5th but we still like it.
"Year One" delivers some great laughs, period. Beginning in what seems to be caveman times but quickly shifting into Old Testament Biblical times, it takes us on a wild romp through episodes of Cain & Abel, Abraham & Isaac, Sodom & Gomorrah, and a particularly boy-hungry high priest played by Oliver Platt (you will NEVER recognize him). Irreverent, yes. Funny, yes. Offensive, I doubt it. Not any more than "History of the World Part 1" or "Monty Python's Holy Grail". Definitely less biting than "Life of Brian". But it does pack some bite.
The story isn't particularly new, but it serves its purpose to serve as a vehicle for some witty gags. And again I must harp on the Black-Cera delivery that makes it work. Jack Black plays an inept, loud-mouthed hunter who is constantly coming up with stupid ideas that get them in big trouble. Cera plays a meek gatherer who follows along with everything, quietly trying to explain the idiocy of it all while being ignored. The comedy flows so naturally you'd think it was all improvised like in a Christopher Guest film. But I read in an interview that there wasn't much improv at all. Just a carefully planned script and excellent delivery.
The comedy is mostly family-friendly, but there are some adult innuendos and suggestive gags that may cross the line on occasion. If you & your family feel comfortable laughing about circumcisions, then hey no problem.
Although similar in theme, I would never compare "Year One" to "History of the World" or "Holy Grail". Instead, the comedy reminds me more of "The Rocker" (with Rainn Wilson playing a washed-up 80s metal drummer trying to survive in a band today) or maybe even "Men in Black", odd as that may seem.
There are rumors that Black & Cera may have parts in Ramis's upcoming "Ghostbusters III", and if so I'll definitely run out and see it. Until then, "Year One" remains your only chance to experience this one-of-a-kind matchup. Don't miss out.
- rooprect
- 22 juin 2013
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Year One
- Lieux de tournage
- White Sands National Monument, New Mexico, ÉTATS-UNIS(Alamogordo Daily News Apr 19, 2008, "Funnyman Jack Black films at WSNM.")
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 43 337 279 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 610 304 $ US
- 21 juin 2009
- Brut – à l'échelle mondiale
- 62 357 900 $ US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant