Deux groupes de femmes voluptueuses sont traquées à des moments différents par un cascadeur dérangé qui se sert de ses voitures "résistantes à la mort" pour exécuter ses plans meurtriers.Deux groupes de femmes voluptueuses sont traquées à des moments différents par un cascadeur dérangé qui se sert de ses voitures "résistantes à la mort" pour exécuter ses plans meurtriers.Deux groupes de femmes voluptueuses sont traquées à des moments différents par un cascadeur dérangé qui se sert de ses voitures "résistantes à la mort" pour exécuter ses plans meurtriers.
- Prix
- 8 nominations au total
- Jungle Julia
- (as Sydney Poitier)
Histoire
Le saviez-vous
- AnecdotesAfter Zoë Bell was cast, Quentin Tarantino told Bell that he would hire a second stunt person to take Bell's place in the stunt scenes where her face wasn't visible. Bell insisted on performing every stunt herself, saying if someone else were cast in her role, and she was only performing the stunts, those were the stunts she would do. Tarantino honored her request.
- GaffesAs 'Death Proof' is an homage to the old, low-budget Grindhouse films of the 70's and 80's, there are many deliberate errors by the filmmaker to give an authentic Grindhouse feel.
- Citations
Stuntman Mike: [Stuntman Mike and Pam are in his death-proof car, but Pam is in the passenger-seat which is in a crash-box] Well, Pam... Which way you going, left or right?
Pam: [enthusiastic] Right!
Stuntman Mike: Oh, that's too bad...
[ominous sound effect]
Pam: Why?
Stuntman Mike: Because it was a 50-50 shot on whether you'd be going left or right. You see we're BOTH going left. You could have just as easily been going left, too. And if that was the case... It would have been a while before you started getting scared. But since you're going the other way, I'm afraid you're gonna have to start getting scared... immediately!
- Générique farfeluIn the OPENING credits during the prologue driving sequence, after "Kurt Russell in" there is a quick ten-frame color animation of the title "Quentin Tarantino's Thunder Bolt" which cuts immediately to a simple grainy white-on-black title screen that says "Death Proof".
- Autres versionsAfter Zoe flies off the hood, she walks back to the car and says, "Phew that was a close one". In the Unrated Extended version it then cuts right to her line, "So, where's the maniac?" In the U.S. Theatrical Double Feature version there's some extra lines of dialog in between: As Zoe notices that Abernathy and Kim have been crying she remarks, "You guys look like shit. Who died?" Abernathy then asks Zoe if she's okay, to which she replies, "Well, I'm gonna have a hell of a bruise on my bum, but aside from that I'll be sweet."
- ConnexionsEdited from Grindhouse en programme double (2007)
Tarantino's contribution to the Grindhouse project is Death Proof: a weird combination of car-chase action and serial-killer terror. If nothing else, Death Proof does everything that Tarantino loves doing. It has characters who act really cool, always talking with sharp wit and dirty language. It has wild camera work, including some slick black-and-white shots and shots intentionally damaged to give everything a rough, old-fashioned texture. It has an abundance of oldies rock 'n roll, it has oodles of references to other films (including some references to Tarantino's own Pulp Fiction and Kill Bill). It even has dozens of foot-fetish shots, with barefoot characters strutting around, shoving their feet into the camera. And, of course, there's also plenty of pulpy blood and violence to satisfy.
The film has its share of cool parts and sharp dialogue. The last act is most worthwhile for its phenomenal car chase scene. It lasts for a good twenty minutes or so, featuring a pair of great muscle cars, ripping up the roads before ripping each other up. It's all intended to replicate the look, feel, and excitement of old-fashioned car chase films, such as Vanishing Point (which is referenced in the film, and the film even uses the same car).
The problem is, however, is that when the film isn't cool, it's totally uncool. In between the big standout scenes, the film drags a lot. A lot of time is spent on the characters hanging out at bars and restaurants, chatting inanely, and often times without progressing the plot all that much. These scenes still have a few standout scenes (such as the saucy lapdance scene), but a lot of it comes off as pointless.
The story is also pretty weird and mixed. It's essentially split in half, with some scenes set in the past and some set in the present. It's all intended to focus on the main villain stalking two different sets of victims, and the film takes its (damn) time to set things up for the big car wreck scenes. It also takes its time to dive deeply into the characters. Unfortunately, the pacing takes a huge hit in doing so, and the film overall feels uneven.
Fortunately, the film remains cool and slick, with fantastic photography and editing. Scenes set in the past have been scratched-up and damaged on purpose to replicate that old-fashioned 1970s film look, and it is pretty wild that way. Acting is quite appealing from the cast; especially from Kurt Russell, playing the bad guy for a change, and he is strikingly effective as Stuntman Mike. Writing is very sharp and witty, although not always effective. This production uses some very cool and distinctive sets, props, costumes, and cars. Music is really neat too.
The film is pure Tarantino, and I can't help but to think that the man must have had too much fun making this picture, because it encompasses all of his signature trademarks. Unfortunately, it's also quite a mixed experience that's not always palatable. Fans should check it out and see what they think, and it's recommended as part of the Grindhouse double-feature experience, but otherwise it's best left as a rental if you're interested.
3.5/5 (Entertainment: Average | Story: Pretty Good | Film: Good)
- Al_The_Strange
- 19 oct. 2013
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Grindhouse présente Quentin Tarantino's à l'épreuve de la mort
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 31 126 421 $ US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1