Maren, une jeune femme, apprend à survivre en marge de la société.Maren, une jeune femme, apprend à survivre en marge de la société.Maren, une jeune femme, apprend à survivre en marge de la société.
- Prix
- 4 victoires et 79 nominations au total
Histoire
Le saviez-vous
- AnecdotesDirector Luca Guadagnino stated in a video for Vanity Fair that the fringe in Maren's hairstyle came directly from the haircut of a character from Jonathan Demme's Le silence des agneaux (1991). The character in question is Stacy Hubka (played by Lauren Roselli).
- GaffesWhile Lee is talking to the Carnival Worker, the fox stuffed animals in the background suddenly disappear.
- Citations
Maren: [to Brad] You're not one of us?
Jake: Abso-fuckin-lutely normal he is! Well, uh, clearly not normal. Hasn't had his full bones yet. But I reckon that's coming soon enough.
Lee: Full bones?
Jake: When you eat the whole thing, bones and all. You ain't done that yet? That's a big fucking deal. It's like your first time. There's before bones and all, and then there's after.
Commentaire en vedette
Before I start this review, I have to admit I have a soft spot for Luca Guadagnino and his directing style, which really speaks to me on an emotional level.
The movie is not perfect, but I enjoyed watching it, as to me this mixture of gory horror and on the road romance is quite new.
The plot is quite thin and the pace of the movie is slow and indefinite, but to me this is not negative: in the two hours of screentime I was never bored, and I sort of felt like I was on the road along with the protagonists.
The lead actors were really good, and in my opinion this was one of the best performances by Timothée Chalamet, whose chemistry with Guadagnino is undeniable. I think he was particularly suited for this role, because his innocent face and body perfectly communicated the nature of his character, conflicted between his monstrous instincts and his good heart.
The best performance was anyway delivered by Mark Rylance, whose creepy character Sully was great for keeping the tension high throughout the whole movie.
I really loved the poetic atmospheres of the road trip scenes, so typical of Guadagnino.
The negative aspects that can't be denied are the poor development of the characters, which makes it hard to root for them, and the quality of the dialogues, which are often shallow.
Personally I didn't appreciate the ending scene and the related dialogue especially.
Despite some negative specs, I would absolutely suggest seeing it, if you don't mind some pretty gory scenes.
The movie is not perfect, but I enjoyed watching it, as to me this mixture of gory horror and on the road romance is quite new.
The plot is quite thin and the pace of the movie is slow and indefinite, but to me this is not negative: in the two hours of screentime I was never bored, and I sort of felt like I was on the road along with the protagonists.
The lead actors were really good, and in my opinion this was one of the best performances by Timothée Chalamet, whose chemistry with Guadagnino is undeniable. I think he was particularly suited for this role, because his innocent face and body perfectly communicated the nature of his character, conflicted between his monstrous instincts and his good heart.
The best performance was anyway delivered by Mark Rylance, whose creepy character Sully was great for keeping the tension high throughout the whole movie.
I really loved the poetic atmospheres of the road trip scenes, so typical of Guadagnino.
The negative aspects that can't be denied are the poor development of the characters, which makes it hard to root for them, and the quality of the dialogues, which are often shallow.
Personally I didn't appreciate the ending scene and the related dialogue especially.
Despite some negative specs, I would absolutely suggest seeing it, if you don't mind some pretty gory scenes.
- TheDaffodil_
- 24 nov. 2022
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Hasta los huesos
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 16 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 834 907 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 258 562 $ US
- 27 nov. 2022
- Brut – à l'échelle mondiale
- 15 234 907 $ US
- Durée2 heures 11 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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