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Calling this movie a 'feelgood love story' wouldn't sum it up. Hannahannah has far more to offer than the love story at it's core. First of all, there is the perfect casting in all roles, without exception; Maria Kraakman and Antonie Kamerling are gorgeous and credible as the lovers, with Kamerling giving a powerful, all time best performance, while Kraakman proves the best choice for portraying the offbeat loner Hannah. Tanja Jess and Kees Boot provide layered support as a troubled middle-class couple and Barry Atsma makes the most of his over the top role as a mentally challenged/comedic sidekick. The story is a textbook example of a romantic drama, but sometimes feels a bit like an emotional roller-coaster, due to it's highs and lows, drama and comedy, tears and happiness in such a short amount of time. In result, the viewer may feel a bit detached from the characters and their quirky natures. One can't help to think a 'kick in the butt' for any of the main characters would be a good idea. Fortunately, towards the end, the writers of Hannahannah seemed to have the same idea, as the bundle the wide array of emotions into a satisfying conclusion. Although certainly no perfect movie (the dialog is sometimes a bit out of place and some scenes seem abundant or end as soon as things are getting interesting), Hannahannah is worth more than one viewing. Especially dutch viewers will feast on the banquet of recognition, the sometimes subtle, sometimes blunt use of dialog and the apparent skill in direction and photography. Enjoy!