Une danseuse remporte le rôle principal dans une production du "Lac des cygnes" de Tchaïkovski, mais doit se débrouiller pour ne pas devenir folle.Une danseuse remporte le rôle principal dans une production du "Lac des cygnes" de Tchaïkovski, mais doit se débrouiller pour ne pas devenir folle.Une danseuse remporte le rôle principal dans une production du "Lac des cygnes" de Tchaïkovski, mais doit se débrouiller pour ne pas devenir folle.
- A remporté 1 oscar
- 98 victoires et 279 nominations au total
Abraham Aronofsky
- Mr. Stein
- (as Abe Aronofsky)
- …
Histoire
Le saviez-vous
- AnecdotesWhen shooting Black Swan, Natalie Portman sustained many injuries, which caused delays to the production. The most common injury was her left toe, which had to be restrapped while the cast and crew waited. This kind of delay was so frequent it was called a "Natalie Portman's Left Toe Delay" which was later shortened to...Portmantoe.
- Gaffes(at around 24 mins) When Nina returns home and looks for her mother, after being assigned a role, a camera operator is visible in a mirror.
- Générique farfeluMany cast members are credited both as their role in this film and said character's corresponding role in the Swan Lake ballet
- Bandes originalesApotheosis
Written and Performed by Peter Min (as Pete Min)
Contains "Swan Lake" written by Pyotr Ilyich Tchaikovsky
Commentaire en vedette
Natalie Portman lives a dream and a nightmare when she gets a chance to dance Swan Lake in Darren Aronofsky's new film
Black Swan is a very bi polarized film. Portman dances as the white swan flawlessly, but her 'brilliant' choreographer has doubts about her as the black swan. She needs to 'live a little' and be less mannered, but the closer she gets to that point, the more the walls start to close in all around her.
Darren Aronofsky, though he comes close to being heavy handed, has delivered a project which is fiery, spectacular and clever. He sells us ballet as something dark and off putting, starting from his decision to reveal what dancing does to peoples bodies. One mistake and you can crack a toe nail under your body weight, but I don't wanna oversell it. To look at Black Swan in another way, it is an operatic horror film, It has incredible style, but uses it not so much to dazzle but to confuse and intimidate. The paradox of Black swan is that it creepiness is kind of seductive, because it draws you in (much like the way vampires are supposedly romantic)
But style is only half the picture (not even). The rest is in the cast, and mostly in Natalie Portman. She is slow to get started, but she grows quickly and the result is arguably her best performance yet. I've never loved her that much. She's always struck me as more of a girl than a woman, but I guess all she needs is to get a little blood on her hands, and you have an award worthy performance. Vincent Cassel, though he gets some questionable lines, is also at his best. I would have almost liked to see more of him, because you get the sense that his role has a bit more room to grow.
Black Swan does quite a bit, but it's not for everyone. Do not go into this expecting to be emotionally enriched. From the beginning, it is staged to be a mind-twirl, delighting in playing tricks on the audience. Some might call it cheating, but that would be the wrong way to look at Black Swan. It's quite epic, and with year coming to an end, I think it's fair to say that it is among the best of 2010.
Black Swan is a very bi polarized film. Portman dances as the white swan flawlessly, but her 'brilliant' choreographer has doubts about her as the black swan. She needs to 'live a little' and be less mannered, but the closer she gets to that point, the more the walls start to close in all around her.
Darren Aronofsky, though he comes close to being heavy handed, has delivered a project which is fiery, spectacular and clever. He sells us ballet as something dark and off putting, starting from his decision to reveal what dancing does to peoples bodies. One mistake and you can crack a toe nail under your body weight, but I don't wanna oversell it. To look at Black Swan in another way, it is an operatic horror film, It has incredible style, but uses it not so much to dazzle but to confuse and intimidate. The paradox of Black swan is that it creepiness is kind of seductive, because it draws you in (much like the way vampires are supposedly romantic)
But style is only half the picture (not even). The rest is in the cast, and mostly in Natalie Portman. She is slow to get started, but she grows quickly and the result is arguably her best performance yet. I've never loved her that much. She's always struck me as more of a girl than a woman, but I guess all she needs is to get a little blood on her hands, and you have an award worthy performance. Vincent Cassel, though he gets some questionable lines, is also at his best. I would have almost liked to see more of him, because you get the sense that his role has a bit more room to grow.
Black Swan does quite a bit, but it's not for everyone. Do not go into this expecting to be emotionally enriched. From the beginning, it is staged to be a mind-twirl, delighting in playing tricks on the audience. Some might call it cheating, but that would be the wrong way to look at Black Swan. It's quite epic, and with year coming to an end, I think it's fair to say that it is among the best of 2010.
- Samiam3
- 2 déc. 2010
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Black Swan
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 106 954 678 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 443 809 $ US
- 5 déc. 2010
- Brut – à l'échelle mondiale
- 329 398 046 $ US
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