Sept ans après les faits, un homme se rend compte qu'il est en fait le géniteur du garçon de sa meilleure amie.Sept ans après les faits, un homme se rend compte qu'il est en fait le géniteur du garçon de sa meilleure amie.Sept ans après les faits, un homme se rend compte qu'il est en fait le géniteur du garçon de sa meilleure amie.
- Prix
- 1 victoire et 3 nominations au total
- Party Guest 2
- (as Jeremy J. Mohler)
- Girl at Pizzeria
- (as Lily Pilbald)
Histoire
Le saviez-vous
- AnecdotesDiane Sawyer was apparently perfectly happy for her image to be used in Jason Bateman's masturbation scene.
- GaffesAt the beginning of the final barbecue scene, Wally is seen using a gas grill, as evident by the burner knobs. After walking in the house, he speaks of charcoal and lighter fluid, which are completely unnecessary when using a gas grill.
- Citations
[first lines]
Wally Mars: Look at us. Running around, always rushed, always late. I guess that's why they call it the human race. What we crave most in this world is connection. For some people it happens at first site. It's when you know, you know. It's fate working its magic. And that's great for them. They get to live in a pop song; ride the express train. But that's not the way it really works. For the rest of us it's a bit less romantic. It's complicated and it's messy. It's about horrible timing and fumbled opportunities. And not being able to say what you need to say when you need to say it. At least, that's the way it was for me.
- Bandes originalesInstant Replay
Written by Dan Hartman
Performed by Dan Hartman
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
Okay, it would be easy to dis this movie as a canned, obvious, emotionally thin contrivance. It's a vehicle for two popular stars playing characters in their 30s who are, despite good looks and basic social skills, single and childless. They have to fall in love but life gets in the way in kind of stupid ways. You can't take it seriously, and you can't even quite care enough to hope for the best, whatever that is.
But it's also easy to like this movie despite its obviousness. Jason Bateman is a joy to watch. Maybe his performance is like the movie--glib and facile. But like the movie he is endlessly watchable, and his character is the one with the most depth. His interactions with the boy of six or so are terrific. The boy, too, is adorable and helps the movie get some feeling.
Jennifer Aniston plays the woman who wants a child but has no one willing to be the dad, more or less (though the viewer knows better). And she's a terrific actress, actually, even if her role here (and elsewhere) is often not as demanding as it could be. I suppose Meg Ryan has some kind of edge on her for this kind of stereotype--the lovable lonely urban girl who just can't get love right despite the obvious--but Aniston is an update on that type.
But it is Aniston and Bateman together that really make the movie glide along and make you smile. They have great rapport and good timing, comedic and serious both. I wouldn't say they have chemistry (I guess that's the problem their characters have, so maybe it's great acting) but they make their scenes pop in a way the rest of the movie trundles.
The story writer, Jeffrey Eugenides, is better known for sprawling novels and lots of interrelated characters, but even there there are little hooks that come off a hair obvious. That's the problem here, in the end. There's a big trick, a wonderful and funny hook of an idea, and that almost alone has to handle all the consequences. Some better character development would have been a joy.
Oh, and it's been a long time since a movie with two directors has been able to pull off consistency. I don't know the logistics behind it, but maybe one of the hesitations all along is a lack of singular conviction. Or not. Maybe this is such a formula product any number of directors could have chipped in.
Watch it for the two leads together. And for some fun, warm laughs, if that's your thing. I enjoyed it.
- secondtake
- 27 juin 2013
- Lien permanent
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Switch
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 19 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 27 779 426 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 436 713 $ US
- 22 août 2010
- Brut – à l'échelle mondiale
- 49 843 011 $ US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1