Drôles de jeux

Titre original : Funny Games

2007
14A
1h 51m

ÉVALUATION IMDb

6,5/10

106 k

MA NOTE

POPULARITÉ

2 643

Home Video Trailer from Warner Independent Pictures

Liretrailer2 min 04 s

25 vidéos

99+ photos

Psychological Thriller Tragedy Crime Drama Thriller

Deux jeunes hommes psychopathes prennent une famille en otage dans leur cabane.Deux jeunes hommes psychopathes prennent une famille en otage dans leur cabane.Deux jeunes hommes psychopathes prennent une famille en otage dans leur cabane.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

6,5/10

106 k

MA NOTE

POPULARITÉ

2 643

Voir l’information sur la production à IMDbPro

Prix
- 1 victoire et 6 nominations au total

Anecdotes
Tim Roth has said making this film traumatized him, and he'll never watch it. He said he was particularly disturbed because Devon Gearhart resembled his own son.

Gaffes
When Paul "rewinds" the film he presses the Volume Down (-) button on the remote control rather than the Rewind button.

Citations
Anna: Why don't you just kill us?
Peter: [smiling] You shouldn't forget the importance of entertainment.

Connexions
Featured in Siskel & Ebert & the Movies: College Road Trip/Snow Angels/Married Life/Miss Pettigrew Lives for a Day/City of Men (2008)

Bandes originales
Care Selve, Ombre Beate
from 'Atalanta'
Written by George Frideric Handel (as G. F. Händel)
Performed by Beniamino Gigli
(P) 1950 EMI Records, Ltd.
Digital Remastering: (P) 1999 EMI Records
Courtesy of EMI Music (France)

Commentaires des utilisateurs592

Commentaire

Commentaire en vedette

6/10

Extremely Tough to Watch

I feel very similar about Funny Games than what I felt after watching The Strangers. Appalled and disturbed. However, Funny Games (as said by the director) seems to be a commentary on violence in media/movies, and not just violence in movies to have violence. Either way, it's certainly difficult to not feel sick to your stomach after witnessing the crimes against the family in Funny Games, but I do appreciate some of the obstacles Michael Haneke takes instead of going through with the many cliches that plague the modern day horror. But I guess we're all left asking the same question...what was the point?

6.8/10