Une poupée de chiffon qui se réveille dans un futur post-apocalyptique détient la clé du salut de l'humanité.Une poupée de chiffon qui se réveille dans un futur post-apocalyptique détient la clé du salut de l'humanité.Une poupée de chiffon qui se réveille dans un futur post-apocalyptique détient la clé du salut de l'humanité.
- Prix
- 9 nominations au total
Elijah Wood
- #9
- (voice)
Jennifer Connelly
- #7
- (voice)
Crispin Glover
- #6
- (voice)
Christopher Plummer
- #1
- (voice)
Martin Landau
- #2
- (voice)
John C. Reilly
- #5
- (voice)
Fred Tatasciore
- #8
- (voice)
- …
Alan Oppenheimer
- Scientist
- (voice)
Helen Wilson
- News Caster
- (voice)
Histoire
Le saviez-vous
- AnecdotesShane Acker first made Numéro 9 (2009) as a ten minute short film while he was still at UCLA. It was nominated for Best Animated Short at the Oscars, and although it didn't win, Acker was offered the chance to expand it into a feature film. It follows the same basic plot, but more characters have been added, they have the ability to talk now, and the reason for the world's destruction is explained in more detail.
- GaffesOnce 2 places the voice box into 9, the zipper remains open. However, in the next shot, 9's zipper is closed. The following shot has the zipper open again. 9 is later shown zipping his zipper closed.
- Générique farfeluSome of the end credits emerge from 9's talisman.
- Autres versionsIn the Russian dubbed version, the dolls represent the people in the Scientist's life instead of the American version where they represent his personality. 1 being the dictator, 2 being his lab assistant, 3 and 4 being the Scientist's twin children, 5 being the field doctor who saved the Scientist's life during the rise of the robots, 6 being the engineer who activated the robot, 7 being the Scientist's wife, 8 being the Chancellor's bodyguard, and 9 representing the Scientist himself.
- Bandes originalesOver the Rainbow
Written by Harold Arlen and E.Y. Harburg
Performed by Judy Garland
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Commentaire en vedette
As a long-time fan of animation, I like to believe (misguided or not) that I have high standards and am not easily impressed. But this creation blew me away, so much so that I felt compelled to write my first ever review on this site. Please forgive me for the abundance of clichés that may follow.
9 reminded me strongly of my favourite short-work, Joacquin Baldwin's award-winning Sebastian's Voodoo. The detail, backgrounds, colours, forms, the dark 'grubbiness' of the overall look, the minimal but meaningful character expressions and sublime use of light and shadow were pure heaven for the eyes.
Imagine, if you will, a strange but beautiful lovechild of The Borrowers, Voodoo, Alien, Corpse Bride and War of the Worlds; and you have 9.
The atmospheric score and use of imagery from various real political movements and historic events added to the post-apocalyptic, almost Gothic feel. To prevent it from becoming too heavy, it is interwoven with a deliciously subtle humour and creativity - such as the use of ordinary household objects as weapons and items of clothing. You can tell that Tim Burton had more than a sprinkling of input.
Yes, the storyline is simple (which is why I am puzzled that so many viewers found the ending difficult to grasp) and the characters could have done with more development. That said, I immediately fell in love with 2, 4 and 5 with no knowledge of their past - a difficult task to achieve. And it would be hard to create nine full-blooded personalities with back-history involved in a complex plot in only 80 minutes.
Which brings me to timing and the only reason I knocked a star off - I felt it ended too quickly and I just did not want it to.
It is a rare sort of exquisite film-making that makes you want to serve it on a plate and eat it raw, enjoying every last mouthful. Then savour it all over again because you know you've missed so much in all the glorious detail.
It is a film that stays with you long after it ends. I would urge anyone with a love of the unusual to experience it.
9 reminded me strongly of my favourite short-work, Joacquin Baldwin's award-winning Sebastian's Voodoo. The detail, backgrounds, colours, forms, the dark 'grubbiness' of the overall look, the minimal but meaningful character expressions and sublime use of light and shadow were pure heaven for the eyes.
Imagine, if you will, a strange but beautiful lovechild of The Borrowers, Voodoo, Alien, Corpse Bride and War of the Worlds; and you have 9.
The atmospheric score and use of imagery from various real political movements and historic events added to the post-apocalyptic, almost Gothic feel. To prevent it from becoming too heavy, it is interwoven with a deliciously subtle humour and creativity - such as the use of ordinary household objects as weapons and items of clothing. You can tell that Tim Burton had more than a sprinkling of input.
Yes, the storyline is simple (which is why I am puzzled that so many viewers found the ending difficult to grasp) and the characters could have done with more development. That said, I immediately fell in love with 2, 4 and 5 with no knowledge of their past - a difficult task to achieve. And it would be hard to create nine full-blooded personalities with back-history involved in a complex plot in only 80 minutes.
Which brings me to timing and the only reason I knocked a star off - I felt it ended too quickly and I just did not want it to.
It is a rare sort of exquisite film-making that makes you want to serve it on a plate and eat it raw, enjoying every last mouthful. Then savour it all over again because you know you've missed so much in all the glorious detail.
It is a film that stays with you long after it ends. I would urge anyone with a love of the unusual to experience it.
- juliet-staveley
- 11 déc. 2009
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Détails
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 31 749 894 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 10 740 446 $ US
- 13 sept. 2009
- Brut – à l'échelle mondiale
- 48 428 063 $ US
- Durée1 heure 19 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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