Le Concile de Pierre

2006
1h 42m

ÉVALUATION IMDb

MA NOTE

Adventure Crime Drama Fantasy Mystery Thriller

Ajouter une intrigue dans votre langueIn France, the single translator Diane Siprien adopts an Asian baby named Liu-San in a foundation directed by Sybille Weber. Years later, a weird mark appears on the boy's chest and Diane an... Tout lireIn France, the single translator Diane Siprien adopts an Asian baby named Liu-San in a foundation directed by Sybille Weber. Years later, a weird mark appears on the boy's chest and Diane and Liu share their dreadful nightmares. Diane is assigned for a three-day job in German and... Tout lireIn France, the single translator Diane Siprien adopts an Asian baby named Liu-San in a foundation directed by Sybille Weber. Years later, a weird mark appears on the boy's chest and Diane and Liu share their dreadful nightmares. Diane is assigned for a three-day job in German and she leaves Liu with her friend Sybille. However, while going to the airport, Diane finds ... Tout lire

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ÉVALUATION IMDb

4,8/10

2,4 k

MA NOTE

Voir l’information sur la production à IMDbPro

Photos5

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Des gens qui s'embrassent

5,0

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Anecdotes
Sophie Marceau was the first choice for the lead role that ended up with Monica Bellucci.

Bandes originales
First Light
Written by Brian Eno and Harold Budd
Performed by Harold Budd and Brian Eno
©EG Music Ltd. c/o BMG Music Publishing France
Courtesy of BMG Music Vision and EMI Music France

Commentaires des utilisateurs13

Commentaire

Commentaire en vedette

5/10

Muddled and plodding thriller, unworthy of Monica Bellucci's brave performance

Monica Belucci's fully committed performance, as well as her commendable willingness to appear as unglamorous as possible (with very short hair, limited or no make-up, often bloodied-up and dirty), are wasted in this semi-supernatural thriller that suffers from a muddled script (just like a previous adaptation of a Jean-Christophe Grangé novel, "Crimson Rivers" - maybe his books are just too hard to condense in under two hours of screen time), an incomplete finish that feels like a set-up for an (unlikely) sequel, cold direction, plodding pacing, and a completely humorless tone. I honestly found it a bit of a struggle to get through. It will probably be watched / remembered only for the first "cross-generational" on-screen meeting of Belucci with Catherine Deneuve. (**)