Le journaliste de l'audiovisuel Edward R. Murrow cherche à faire tomber le sénateur Joseph McCarthy.Le journaliste de l'audiovisuel Edward R. Murrow cherche à faire tomber le sénateur Joseph McCarthy.Le journaliste de l'audiovisuel Edward R. Murrow cherche à faire tomber le sénateur Joseph McCarthy.
- Nommé pour 6 oscars
- 38 victoires et 129 nominations au total
Histoire
Le saviez-vous
- AnecdotesEach morning, George Clooney would gather his cast members together and give them copies of the newspapers from that day in 1953. He'd then give them an hour and a half, working on old manual typewriters, to copy out the stories from the paper. He would then hold an improvised news conference with hidden cameras, in which the cast members would then pitch their stories to the editor, just like a real newsroom.
- GaffesBill Paley says to Murrow: "I'm taking your program from a half an hour to an hour." In fact, the program went from an hour to a half hour.
- Citations
Edward R. Murrow: No one familiar with the history of this country, can deny that congressional committees are useful. It is necessary to investigate before legislating. But the line between investigating and persecuting is a very fine one, and the Junior Senator from Wisconsin has stepped over it repeatedly. We must not confuse dissent with disloyalty. We must remember always, that accusation is not proof, and that conviction depends upon evidence and due process of law. We will not walk in fear, one of another. We will not be driven by fear into an age of unreason if we dig deep into our history and our doctrine, and remember that we are not descended from fearful men. Not from men who feared to write, to associate, to speak, and to defend the causes that were for the moment unpopular. This is no time for men who oppose Sen. McCarthy's methods to keep silent or for those who approve. We can deny our heritage and our history but we cannot escape responsibility for the result. We proclaim ourselves as indeed we are, the defenders of freedom wherever it continues to exist in the world. But we cannot defend freedom abroad by deserting it at home. The actions of the Junior Senator from Wisconsin have caused alarm and dismay amongst our allies abroad and given considerable comfort to our enemies. And whose fault is that? Not really his, he didn't create this situation of fear, he merely exploited it, and rather successfully. Cassius was right, the fault dear Brutus is not in our stars, but in ourselves. Good night, and good luck.
- Générique farfeluEven the rating band at the tail of the film is in black and white.
- ConnexionsFeatured in The 63rd Annual Golden Globe Awards 2006 (2006)
- Bandes originalesWhen I Fall in Love
Music by Victor Young
Lyrics by Edward Heyman
Performed by Matt Catingub
Produced by Allen Sviridoff
Matt Catingub appears courtesy of Concord Records, Inc.
Clooney is a smart man who knows this. So he structures his projects in ways that are well serviced by what he has to give. The last one was an actor playing a character who created a character within. The structure of the thing was all focused on building and exploiting those ambiguities.
Especially clever were the staging devices. Many were novel and a few were particularly striking.
Now this is a more serious, but has the same values. It is after all a character study, and one that deals with these same two worlds. The man when off the camera, and the man on. Fabricated truth as an act by politicians. "Journalism" as way of piercing through those layers.
Two evils, McCarthy and Paley. Clooney's point is that control over the pipeline is what matters in delivering the "real." So he works with some very studied staging. This movie has some of the best staging in recent memory. It must have taken forever to set the angles and lighting. Fortunately these are so powerful that no scene needs more than two setups. This is the way this cinematographer works for PT Andersen too.
The switch in lighting from when Murrow is on the air to just after he goes off is rather thrilling: both are intense, in fact the on-air lighting is stark. But there is a powerful and visible shift from external to internal energy.
If you just saw the script as words on a page, it would seem boring and preachy. It is the staging that makes this thing come alive, that gives a container for the great acting. The only actor who seems off is McCarthy, which is telling.
I have the book Clooney's dad wrote about movies. Fortunately the son has better insights into what works and what doesn't, and has good intuitions about what to attempt.
Ted's Evaluation -- 3 of 3: Worth watching.
- tedg
- 24 nov. 2005
- Lien permanent
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Good Night, and Good Luck.
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 31 558 003 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 421 446 $ US
- 9 oct. 2005
- Brut – à l'échelle mondiale
- 54 641 191 $ US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1