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7,6/10
70 k
MA NOTE
Un profil de Ian Curtis, l'énigmatique chanteur de Joy Division dont les ennuis personnels, professionnels et romantiques l'ont conduit à se suicider à l'âge de 23 ans.Un profil de Ian Curtis, l'énigmatique chanteur de Joy Division dont les ennuis personnels, professionnels et romantiques l'ont conduit à se suicider à l'âge de 23 ans.Un profil de Ian Curtis, l'énigmatique chanteur de Joy Division dont les ennuis personnels, professionnels et romantiques l'ont conduit à se suicider à l'âge de 23 ans.
- A remporté le prix 1 BAFTA Award
- 31 victoires et 35 nominations au total
Martha Myers Lowe
- Ian's Sister
- (as Martha Myers-Lowe)
Mary Jo Randle
- Debbie's Mother
- (as Mary-Jo Randle)
Histoire
Le saviez-vous
- AnecdotesThe actors playing Joy Division learned how to play the songs themselves. So the scenes where the band is playing live is not from tape, but actually the actors playing live.
- GaffesJoy Division is shown performing "Transmission" on Tony Wilson's television show in September 1978, but in reality, they performed "Shadowplay". The performance that is represented in this scene actually took place a year later in September 1979 on the BBC2 program "Something Else", when they performed "Transmission" (a performance which was used as the music video for the song) and "She's Lost Control".
- Citations
Ian Curtis: Existence. Well, what does it matter? I exist on the best terms I can. The past is now part of my future. The present is well out of hand.
- Générique farfeluSPOILER: Epilogue: "Ian Curtis died May 18, 1980. He was 23 years old."
- Bandes originalesDrive-In Saturday
(David Bowie)
Published by kind permission of Tintoretto Music/RZO Music Ltd/EMI Music Publishing Ltd/Chrysalis Music Ltd © 1973
Performed by David Bowie
Courtesy of RZO Music
Commentaire en vedette
For me personally writing a comment for Control has proved to be a very difficult thing, my love of the band Joy Division has stayed with me from the very first moment I listened to the Unknown Pleasures album back in 1979. I remember Ian Curtis's death like it was yesterday, and no matter how many years roll by, I still feel an immense sadness when listening to the bands poetic beauty. I was mightily relieved after reading Deborah Curtis's book Touching From A Distance, for I found it refreshingly honest, and certainly it helped people get in a bit deeper to just what a troubled young man Ian Curtis was. So here we are in 2008 and the film adaptation of that book has arrived with truly brilliant results.
I have found it hard to write a comment for it because I have to cast aside my biased love of the band, but hopefully I've managed to view it objectively with both my head and my heart. Control is a film about Ian Curtis, the lead singer of the band Joy Division, people expecting an in-depth film about the band will be a little disappointed because this is the story of their lead singer, a troubled young man who just couldn't face it anymore. Filmed in black & white to perfectly capture the essence of the man the film is about, director Anton Corbijn has stayed loyal to the source material and crafted a haunting piece of work that lingers long after the final credits roll.
We follow Ian Curtis from his humble music leanings in the early 70s, here he meets Deborah who is soon to become his wife, a married man at the age of 18. We watch him join a group of Manchester lads at a Sex Pistols concert, it is here that the roots of Joy Division are formed. Then it's on to the formation of Factory records and the influential Svengali Tony Wilson. As the band start to make waves Ian Curtis becomes ill with epilepsy, and it's here that Corbijn crucially shows that the doctors involved really didn't have a clue how to treat him properly, trial and error with cocktails of drugs indeed.
Deborah and Ian become parents to Natalie, but Ian is away on the road for many days and nights, and it's here that he yearns for love from another quarter, and it's here that his infidelity will hang heavy on his already sunken shoulders. The band are set to make it big, their manager announces that they are about to tour America for the first time, this only adds another fraught string to Ian's already fractured bow, the pressure of fame a lethal bedfellow with Messrs epilepsy and infidelity, and then? I can't praise the work on this film enough, Sam Riley {relatively unknown outside of his hometown of Leeds} is simply brilliant as Curtis, dragging the viewer in completely on this desperately sad journey. Samantha Morton as Deborah is immense, she nails the emotional see-saw role with professional aplomb, and I would also like to raise a glass for the performance of the criminally undervalued Toby Kebbell (Dead Man's Shoes, Wilderness) his turn as Joy Division's manager Rob Gretton is down pat. Director Corbijn clearly had love for the project, and thankfully he was sensible enough to not over do the sentimental aspect of the troubled star. What Corbijn has done is perfectly frame the bleaker side of the story with old terraced houses and monstrous looking high rise's, they scream out as dank and dreary statements in black & white, yet they are overlooked by rolling hills to serve as a reminder when Curtis was at his happiest during the courtship with Deborah. Some scenes are unforgettable, such is the power of the emotion on offer, look out for the stunning appearance of heart tugging song Love Will Tear Us Apart, a crucial and poignant scene, and of course the film's tragic outcome hits like a sledgehammer. To which I thank Corbijn for giving us a very tasteful conclusion to this sad sad story.
So there it is, was I biased? I like to think I wasn't because I honestly feel that one doesn't have to be a fan of the band to get much from this movie. The film has won many awards, and I'm happy to report that Control has brought renewed interest in the beautiful/haunting work of one of England's greatest ever bands. Remastered CDs, reissued books, and even T-shirts are selling well in the shops as I type.
Control is a very sobering experience for fans and newcomers alike. 10/10
RIP Ian Curtis, you are very much missed.
I have found it hard to write a comment for it because I have to cast aside my biased love of the band, but hopefully I've managed to view it objectively with both my head and my heart. Control is a film about Ian Curtis, the lead singer of the band Joy Division, people expecting an in-depth film about the band will be a little disappointed because this is the story of their lead singer, a troubled young man who just couldn't face it anymore. Filmed in black & white to perfectly capture the essence of the man the film is about, director Anton Corbijn has stayed loyal to the source material and crafted a haunting piece of work that lingers long after the final credits roll.
We follow Ian Curtis from his humble music leanings in the early 70s, here he meets Deborah who is soon to become his wife, a married man at the age of 18. We watch him join a group of Manchester lads at a Sex Pistols concert, it is here that the roots of Joy Division are formed. Then it's on to the formation of Factory records and the influential Svengali Tony Wilson. As the band start to make waves Ian Curtis becomes ill with epilepsy, and it's here that Corbijn crucially shows that the doctors involved really didn't have a clue how to treat him properly, trial and error with cocktails of drugs indeed.
Deborah and Ian become parents to Natalie, but Ian is away on the road for many days and nights, and it's here that he yearns for love from another quarter, and it's here that his infidelity will hang heavy on his already sunken shoulders. The band are set to make it big, their manager announces that they are about to tour America for the first time, this only adds another fraught string to Ian's already fractured bow, the pressure of fame a lethal bedfellow with Messrs epilepsy and infidelity, and then? I can't praise the work on this film enough, Sam Riley {relatively unknown outside of his hometown of Leeds} is simply brilliant as Curtis, dragging the viewer in completely on this desperately sad journey. Samantha Morton as Deborah is immense, she nails the emotional see-saw role with professional aplomb, and I would also like to raise a glass for the performance of the criminally undervalued Toby Kebbell (Dead Man's Shoes, Wilderness) his turn as Joy Division's manager Rob Gretton is down pat. Director Corbijn clearly had love for the project, and thankfully he was sensible enough to not over do the sentimental aspect of the troubled star. What Corbijn has done is perfectly frame the bleaker side of the story with old terraced houses and monstrous looking high rise's, they scream out as dank and dreary statements in black & white, yet they are overlooked by rolling hills to serve as a reminder when Curtis was at his happiest during the courtship with Deborah. Some scenes are unforgettable, such is the power of the emotion on offer, look out for the stunning appearance of heart tugging song Love Will Tear Us Apart, a crucial and poignant scene, and of course the film's tragic outcome hits like a sledgehammer. To which I thank Corbijn for giving us a very tasteful conclusion to this sad sad story.
So there it is, was I biased? I like to think I wasn't because I honestly feel that one doesn't have to be a fan of the band to get much from this movie. The film has won many awards, and I'm happy to report that Control has brought renewed interest in the beautiful/haunting work of one of England's greatest ever bands. Remastered CDs, reissued books, and even T-shirts are selling well in the shops as I type.
Control is a very sobering experience for fans and newcomers alike. 10/10
RIP Ian Curtis, you are very much missed.
- hitchcockthelegend
- 14 mars 2008
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Control
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 500 000 € (estimation)
- Brut – États-Unis et Canada
- 872 252 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 27 674 $ US
- 14 oct. 2007
- Brut – à l'échelle mondiale
- 8 159 508 $ US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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