First, I enjoyed this movie a lot. I loved the whole lot of film quotes and cameos of directors, including a couple of Moretti trademark takes (like the painting of the scenes while dancing). Someone could say before seeing it "Hey, here's another Michael Moore trying to turn some votes from the conservatives..." but this is TOTALLY wrong. Moretti is above all a director, and you can like him or not, but his movie is something completely different. You will continue to enjoy this movie in 20 years, while apart from some history students, I foresee no such a future for Fahrenheit 9/11... Back to "The Caiman". This is the first movie ever on such a slippery topic like our beloved Prime Minister (oh, yes, FORMER Prime Minister now...). As many readers may know, he was by far the main actor of Italian politics for nearly 15 years now, and no one dared to take a picture of the Italian society, so widely influenced by him and his TVs (good or bad, doesn't matter here). Why, you may ask? Because it's too easy to flatter or offend such a controversial guy; Moretti managed to softly skim over the whole thing, trying to take a picture of Italy in these years... Silvio Orlando's character voted for him, and he never quite criticizes him; the scenes of the would-be movie are soft, never judging, in some cases even childish. As Moretti said, the aim of the movie is not to let the people know the facts about Berlusconi; they are widely known, even by his supporters. But then it comes to an end. And here is no more softness or light. Orlando manages to have the money to shoot only the end of the movie, here Nanni is the actor interpreting the Caiman. He is impressive, bitter, sharp and his grin is something hard to forget. But, still, he is Him; freed from the restraints of physical similarities, it is the same Moretti we've seen as Botero in "Il Portaborse", only Botero now is not so fictitious or unreal. Botero has become the Caiman.
