ÉVALUATION IMDb
6,8/10
15 k
MA NOTE
Ajouter une intrigue dans votre langueMonths after the events of the original film, Ming suspects a police superintendent as being a new mole for the triads, while years earlier, Yan embarks on his first mission.Months after the events of the original film, Ming suspects a police superintendent as being a new mole for the triads, while years earlier, Yan embarks on his first mission.Months after the events of the original film, Ming suspects a police superintendent as being a new mole for the triads, while years earlier, Yan embarks on his first mission.
- Prix
- 3 victoires et 11 nominations au total
Tony Leung Chiu-wai
- Chan Wing Yan
- (as Tony Leung)
Daoming Chen
- Inspector Shen Chen
- (as Chen Dao Ming)
Anthony Chau-Sang Wong
- SP Wong Chi Shing
- (as Anthony Wong)
Ka-Tung Lam
- Inspector Billy
- (as Lam Ka Tung)
Zhizhong Huang
- Liang
- (as Huang Zhi Zhong)
Chi-Keung Wan
- SP Leung
- (as Wan Chi Keung)
Yeung-Ming Wan
- Night Club Manager
- (as Wan Yeung Ming)
Histoire
Le saviez-vous
- AnecdotesShot back-to-back with Affaires internes 2 (2003). While that was a prequel to Affaires internes (2002), this third instalment is a direct sequel to the first film.
- GaffesIn the movie, we see Dr Lee's notes about Yan twice. The text in both scenes are in English and has nothing to do with Yan. In fact, the text is a discussion about a blind person (called May) who regained his sight sense. Moreover, though both text tells the same thing, the texts are not the same in those two scenes.
- Citations
Inspector Shen Chen: Men are changed by events, not events by men.
- Autres versionsDirector's cut (available on Hong Kong DVD) runs ca. 10 min. 40 sec. longer.
- ConnexionsEdited from Affaires internes (2002)
- Bandes originalesRoad To Inferno
Composed by Andy Lau, Kwok-Leung Chan and Marco Wan
Lyrics by Andy Lau
Produced by Andy Lau, Kwok-Leung Chan, and Tony Kiang
Performed by Hacken Lee
Commentaire en vedette
Where Scorsese's recent version of Infernal Affairs all the loose ends pretty much got tied up during the film whereas with the original we were left with an open (but much more emotionally impacting) conclusion. The first sequel was a prequel so part III was left to pick up afterwards while also going back over the original film and filling in more detail. In doing this it marks itself out as one that is aimed at the fans rather than being just out for money. The downside of this is of course that if you are not a fan you might find this hard to follow along with (and if you have not seen the first film then just forget it totally). Personally I thought the first film was an enjoyable cop thriller but I didn't think it was brilliant or developed characters that well but the tension was great. With the third film the focus was very much on the characters rather than the tension with the fate of Ming being the modern thread that holds the film together.
If you are into the characters and the parallels with the original film then it is worth seeing because it does do it pretty well. It does ask you to pay attention but it rewards you if you do and have been. There is action but mostly it is the Ming's ongoing struggle with who he is that the film pays most attention to. I quite liked this but must confess that this film still didn't do a great job of bringing out the characters that well and it is more the events and revelations that kept me interested rather than an emotional buy-in with the characters. Lau is perhaps partly to blame for this because I thought he was buttoned a bit too tight it was understandable in some regards but the third film should have been the point where he shows more of a breakdown (which he does, but again it is events rather than emotion). Leung is good again but his scenes don't seem as relevant or as interesting within this film again it is probably to do with the lack of emotional buy-in I felt with his character; his performance is natural and engaging though. Outside of these two the rest of the cast are pretty good. Again I didn't think much of the use of Chen but Wong and Tsang are both solid in their small returns.
Overall then an effective and enjoyable film if you love the series and the characters; an interesting one if you have seen the first two films and a pointless one if you are looking to join in at the last minute. Tying up the loose ends of the series, the film isn't tense enough or emotionally impacting enough to be worth a look unless you are really already into the characters but it is an interesting way to bring things to an end with restraint and tragedy rather than excess.
If you are into the characters and the parallels with the original film then it is worth seeing because it does do it pretty well. It does ask you to pay attention but it rewards you if you do and have been. There is action but mostly it is the Ming's ongoing struggle with who he is that the film pays most attention to. I quite liked this but must confess that this film still didn't do a great job of bringing out the characters that well and it is more the events and revelations that kept me interested rather than an emotional buy-in with the characters. Lau is perhaps partly to blame for this because I thought he was buttoned a bit too tight it was understandable in some regards but the third film should have been the point where he shows more of a breakdown (which he does, but again it is events rather than emotion). Leung is good again but his scenes don't seem as relevant or as interesting within this film again it is probably to do with the lack of emotional buy-in I felt with his character; his performance is natural and engaging though. Outside of these two the rest of the cast are pretty good. Again I didn't think much of the use of Chen but Wong and Tsang are both solid in their small returns.
Overall then an effective and enjoyable film if you love the series and the characters; an interesting one if you have seen the first two films and a pointless one if you are looking to join in at the last minute. Tying up the loose ends of the series, the film isn't tense enough or emotionally impacting enough to be worth a look unless you are really already into the characters but it is an interesting way to bring things to an end with restraint and tragedy rather than excess.
- bob the moo
- 17 déc. 2006
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Infernal Affairs III
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 4 468 597 $ US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Mou gaan dou III: Jung gik mou gaan (2003) officially released in India in English?
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