Daniel Ocean recrute un complice supplémentaire pour pouvoir réaliser trois gros braquages en Europe.Daniel Ocean recrute un complice supplémentaire pour pouvoir réaliser trois gros braquages en Europe.Daniel Ocean recrute un complice supplémentaire pour pouvoir réaliser trois gros braquages en Europe.
- Prix
- 4 victoires et 10 nominations au total
Histoire
Le saviez-vous
- AnecdotesGeorge Clooney was 42 years old at the time of filming the scene in which the other actors guess his age.
- GaffesAs Danny is briefing his guys on the Night Fox's history, Yen asks a question in Mandarin. However, Yen is still supposed to be trapped inside a lost piece of luggage at the time, so he'd have no way of being there to ask the question.
- Citations
Matsui: So, business?
Danny Ocean: Business.
Rusty Ryan: A doctor, who specializes in skin diseases, will dream he has fallen asleep in front of the television. Later, he will wake up in front of the television, but not remember his dream.
Matsui: [to Caldwell] Would you agree?
[Caldwell is visibly perplexed and perturbed, shaking his head]
Matsui: .
Danny Ocean: If all the animals along the equator were capable of flattery, then Thanksgiving and Hallowe'en... would fall... on the same day.
Rusty Ryan: Mm.
Matsui: Yeah. Hey. Uh-huh. Uh-huh.
Matsui: When I was four years old, I watched my mother kill a spider... with a teacosy. Years later, I realised it was not a spider - it was my Uncle Harold.
Linus Caldwell: [All eyes turn to him, expectantly] Oh, let the sun beat down upon my face, stars fill my dreams.
[Ryan claps hand across eyes]
Linus Caldwell: I am a traveller in both time and space, to be where I have been.
[Blank, yet stern, looks from everyone]
Linus Caldwell: [Outside, Ryan and Ocean join Caldwell in the street] Is he alright? Are we alright?
Rusty Ryan: Kashmir?
Danny Ocean: Is that your idea of making a contribution?
Rusty Ryan: We hadn't even started. We ain't even got to the terms yet.
Danny Ocean: We came this close to losing that.
Linus Caldwell: Hey, I don't even understand what happened in there. What did I say?
Danny Ocean: You called his niece a whore.
Rusty Ryan: A very cheap one.
Linus Caldwell: What?
Danny Ocean: She's seven.
Rusty Ryan: Currently confined to bed with a wicked case of...
Danny Ocean: No, you don't need to tell him that...
Linus Caldwell: Sorry.
Linus Caldwell: OK. So what does this mean?
Rusty Ryan: It means you stay here.
- Générique farfeluAnd Introducing Tess as Julia Roberts.
- ConnexionsFeatured in HBO First Look: The Making of 'Ocean's Twelve' (2004)
- Bandes originalesL'Appuntamento
Written by Roberto Carlos, Erasmo Carlos, and Bruno Lauzi (as B. Lauzi)
Performed by Ornella Vanoni
Used Courtesy of BMG Ricordi S.p.A.
Under license by BMG Film & TV Music
I'll go to see any Soderbergh film, but in the past I'd have to be prepared for them to be either one of his 'serious' or 'cash in' projects. Cashing in is okay, but I think his serious experiments say a lot about his intuitions and intents. They aren't the most intelligent experiments, but possibly the cream of the mainstream Hollywood director's establishment.
Here we get both rolled into one. Its not as edgy or visually intelligent as 'Good Thief,' but it has some elements.
First the bad: Soderbergh's notion of structure is the vignette. He'll shape a segment as if it were a skit with all else just backstory. For instance he has here a terrific piece where Pitt and Clooney as veterans and Damon as novice go to visit a Dutch heist coordinator. They converse in a highly abstract and idiosyncratic parablese which amuses us and flummoxes Damon. Damon inadvertently calls the boss's young niece a slut, and we are never sure who is putting on whom.
It is a wonderful orchestration of clever writing, spontaneous acting and intimate camera-work. These last two are a particular concern of Soderbergh's, but with a well-written shape it both confused and clarified in different directions. This one segment is the soul of the whole project: it amuses, it has a lot of collaborative, seemingly ad hoc acting, and it makes no sense.
This was never a heist film, instead it is in the con genre. That genre derives from the detective story where the writer is trying to fool the viewer (and some characters). In the con, some characters try to fool some other characters and the writer selectively covers and uncovers narrative so that the viewer is fooled as well.
Interesting twists happen when the viewer is fooled differently than the sucker character, or when there are multiple and parallel cons. The narrative folding comes in the parallel, warring realities that the viewer must surf. But always there is a resolution of the 'real' narrative, just as in the detective story. You always find out who is the fooler and who the foolee (including ourselves).
And as with the detective story, we are told just _how_ it is done. We expect this and have to be given some special reward if this doesn't happen.
It doesn't happen here. There is no way to go back and put together a story that makes any sense at all. Surely this could have been done, but the plain fact is that Soderbergh doesn't care and he wants us to know he doesn't.
Instead, he wants us to focus on his folding. He folds all his 'serious' films: movies about movies (more than four levels deep in 'Full Frontal') or about imagined reality. 'Limey' overlaid scattered intent with parallel jumpcuts.
In this case, he has Julia acting a character who pretends to be Julia. In an homage to 'The Player' he has Bruce Willis as her companion when Julia com Julia. You can just imagine him cackling with his players over this bit.
But it is all clever bits like this in the small: nothing clever at the scale of a real movie. For that, we'll have to wait until he stumbles away from his enchantment with the miracle of acting and discovers the miracle of long form writing.
Ted's Evaluation -- 3 of 3: Worth watching.
- tedg
- 9 déc. 2004
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Ocean's Twelve
- Lieux de tournage
- Haarlem, Noord-Holland, Pays-Bas(station used as being Amsterdam Centraal Station)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 125 544 280 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 39 153 380 $ US
- 12 déc. 2004
- Brut – à l'échelle mondiale
- 362 744 280 $ US
- Durée2 heures 5 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1